Eric Yahnker is one of our absolute favourite artists working today. His humorous, meticulously rendered graphic puns wittily examine contemporary pop culture and politics, and his work is stunningly executed as well as being astute and thought-provoking. We’ve written about his exhilarating art before, and recently we reviewed his very excellent first London exhibition, Sticks & Drones at Paradise Row.
Here is a handful of Eric’s charcoal renderings of readers, a trope that he’s returned to a few times over the years, and which are superb examples of Eric’s appealingly irreverent work. We particularly like the one of Dorothy reading Sartre, and it’s easy to see why we keep returning to Eric over and over again.
All of today’s posts are focusing on the speakers at Here 2014, picking out a particular project to enjoy once again. You can follow the action live over on our @HereLondon Twitter feed.
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label