In the same way Liliana Ovalle incorporates into her designs the incidences of improvised functionality in everyday situations into her designs, her use of colour is just as unexpected and illuminating in its suggestion of how a piece of furniture might be interpreted. A continuation of her Colour Me series, these pieces feature consistent geometric designs that conform to our table and stool-shaped conventions blocked out in vibrant colour on well-crafted, edgy wooden forms.
Now showing at Plusdesign Gallery in Milan, THE CHROMA SEASON is a development of a quite specific design vernacular that produces “perceptual effects” through the application of colour in different opacities and different positions, simulating three dimensionality and “unexpected depth.”
THE CHROMA SEASON will be on show until June 30.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich