The word ‘magnum’ is such a loaded and powerful word, I think it’s even been used as a team name in The Apprentice (UK version) although to less impressive effect. The word is also synonymous (partly because it uses it in its name) with Magnum the photographic agency that’s a world famous heavyweight in the biz and has been since 1947.
Just closed at Chris Beetles Fine Photographs in London was an outstanding exhibition, Magnum 62, showcasing a single photo from each of the agency’s 62 Members, reminding us just how influential its photographers and their work have been over the last six decades. It’s an amazing insight into the agency and a slice of photojournalism history.
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label