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A person sits in a chair in a white studio, gesturing while speaking to two camera operators. Professional film equipment, including tripods and lighting rigs, surrounds them in the industrial space.

Movers and image-makers: a masterclass in fashion photography from Nick Knight

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Date
1 September 2015

Fashion photography is a genre that continues to elude itself. Whether it’s polished or undone, minimal or maximal, conservative or experimental, the only rule in fashion photography is that there are none. As the worlds of fashion and fine art have grown closer and closer together, the line between the two has become increasingly faint and has given way to a new generation of photographers who move effortlessly between the two worlds, creating some of the most exciting fashion images today.

One of the remaining and essential differences between fine art and fashion photography lies in the image-making process. By nature, fashion is a collaborative field and creating standout images requires designers, stylists, hair and make-up artists, but building that vital network of collaborators can be difficult even for the most promising photographers. What’s more, increasingly brands and designers want fashion film as well as stills which means concepts need to be fully fleshed out, and being well-versed in the multifaceted processes of fashion photography has never been more important to emerging creatives in the field.

An industry notorious for its closed ranks, Nick Knight is a fashion photographer well known for pulling back the curtain and making his process transparent. He has filmed every shoot he has ever done, and the majority of those have been live-streamed online via his website SHOWstudio for the world to see. Taking that one step further, he is now heading a four-month photography programme on Mastered to assist emerging photographers in going the extra mile.

Drawing on Nick’s insight and experience, as well as that of editors like Sophia Neophitou of 10 magazine, photographers on the Mastered course – which is still accepting September applicants and includes professionals who have assisted the likes of Willy Vanderperre and Steven Meisel, or shot covers for Brazilian editions of Harper’s Bazaar and Elle – can use the opportunity to refine their portfolios and build their network, whilst making the most of chances to be featured on SHOWstudio or be profiled by magazines like Oyster and Wonderland. In short, it’s a brilliant way for photographers to not only get under the skin of image-making in fashion today, but also to keep pushing themselves forward.

A 3D render of a figure draped in voluminous, flowing pink fabric that dissolves into clouds of powder. The figure stands on a dark plinth, their arms raised as the material swirls around them.
Above

Nick Knight

A person with red hair and dark lipstick peers out from a voluminous, white faux-fur garment. The image is a magazine cover with the title “L’Officiel” across the top.
Above
Left

Mark Nicdao

Right

Nicholas Ong

A person wearing blue mirrored sunglasses and a structured black and white outfit stands before a colourful shutter. The background features bold, sweeping curves of yellow, green, blue and orange.
Above

Nicholas Ong

A figure dressed as a bird stands in a wide stance amidst a bed of straw. They wear a voluminous, textured skirt and a headpiece made from feathers, straw and fabric.
Above

Nick Knight

Five people stand close together against a plain white wall, wearing distressed, eclectic clothing. They have smudged makeup and dirt on their skin, looking directly at the camera with serious expressions.
Above

Mark Nicdao

A person with a short black bob and dark glasses leans back in a chair, holding a lit cigarette. A thick plume of blue and white smoke curls upwards against a blurred yellow and green background.
Above

Nick Knight

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