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A vertical garden of various tropical plants grows within a black rectangular frame. The lush greenery is set against a textured pink wall.

Photographer Max Colson captures the plant life in the UK’s most secure places

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Date
23 November 2015

Hide and Seek aims to capture the inscrutable way plants are used in securitised public areas across the UK. Cataloguing various forms of fauna, we see the green phantoms masking fire exits, peeking out from columns and stood in pairs like two burly guards. To create the project, Max Colson “worked” with “alter-ego” Adam Walker-Smith: “He’s a photojournalist who in his quest to document these ‘suspect’ plants, increasingly shows signs of not being able to differentiate between those that are part of the security architecture and those which aren’t,” explains Max.

Saturated and full of contrasting concrete, the images feel like paparazzi shots, as though they’ve been captured quickly so as not to draw attention. Most of the places photographed are privatised public spaces, often controlled by commercial land developers intent on using rigorous security measures. For Adam Walker-Smith it was the way security apparatus and other crime prevention elements are introduced into these places that really intrigued him. “As security and surveillance architecture is increasingly blended into the built environment in ever more innocuous and seamless ways, how difficult it is for us to find it in the environment around us,” Max explains.

“I also wanted to raise awareness of this specific way of designing crime free environments using plants,” Max says. This can be seen in other urban spaces where greenery is surreptitiously placed to give areas an identity and perhaps feel a little less intimidating. Whether the plants are decorative or actually hiding something, the mystery adds a fantastic weirdness to the series.

A spiky green plant sits in a tall, tapered silver pot. It is positioned on a tiled floor between two bright blue doors.
Above

Max Colson: Hide and Seek

Two tall, slender green shrubs stand in rectangular planters against a black wall. A large, white abstract graphic is painted on the wall behind them.
Above

Max Colson: Hide and Seek

Long, blade-like leaves grow through the gaps of a green metal fence. The plants lean over a concrete kerb and a dark asphalt pavement next to a grey lamp post.
Above

Max Colson: Hide and Seek

A glass door stands next to a textured brown wall. A small potted plant with variegated leaves sits at the base of the wall, beside a green exit button and a sign that reads “Press green button to exit”.
Above

Max Colson: Hide and Seek

Two large stone columns frame a set of dark wooden double doors. A small bunch of green foliage is tucked behind the right column.
Above

Max Colson: Hide and Seek

A collection of neatly trimmed, spherical green bushes fill a garden. A single black spotlight sits nestled between the shrubs, angled upwards.
Above

Max Colson: Hide and Seek

A circular wall light glows against a grey granite wall. Below it, a small rectangular opening leads to a white door partially hidden by a dense green shrub.
Above

Max Colson: Hide and Seek

A mound of long, pale green grass grows from a sandy path at night. A silver bollard stands to the right, beside a dark lawn.
Above

Max Colson: Hide and Seek

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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