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A book cover with a pale pink background featuring a large, thin circular outline. Vertical text in a black box reads “纸之月”, with smaller text beside it.

Taiwan-based designer Peter Chang’s book jackets are “bold, clear and a little bit elegant”

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Date
12 May 2017

Based in Taipei, Taiwan, Peter Chang’s interest in graphic design was first piqued at 18 when he read a Japanese magazine in his local bookstore. “The layout of the magazine really interested me and the design of it left an impression on me,” explains Peter.

The designer describes his style as “bold, clear and a little bit elegant”, and numerous book design projects epitomise this aesthetic. “I am not an outgoing person and I usually express my emotions and thoughts through design,” says Peter. The result is a series of beautifully composed and precisely executed jacket designs that use various papers and finishes. “I love matching and connecting the right elements together,” explains the designer. “Presenting a book containing hundreds of pages through a cover is challenging but also fascinating for me.”

Peter’s process has become an almost ritual he performs before starting a new project: “First, I have a good sleep, then watch a few episodes of cartoons and after that the ideas will come naturally – it works every time.”

This simple approach is echoed in Peter’s final designs where simplicity is key and the finer details are given prominence with typography and graphic lines taking centre stage in many of his book jackets. From intricate fold-outs to delicate foil debossing, Peter continually follows his ethos of believing “anything can be beautiful when you put it in the right place.”

A brown hardcover book titled “Lost Horizons” rests on a textured stone surface. Beside it lies a plain, pale blue booklet.
Above

Peter Chang

A brown, textured paper folder lies on a light grey concrete surface. A matching paper band wraps around the bottom, featuring small gold foil illustrations and text.
Above

Peter Chang

A book cover divided into two sections. The top half is olive green with white handwritten script and orange text, while the bottom half is cream with black and orange Chinese characters and the Spanish title “El Beso de la Mujer Araña”.
Above

Peter Chang

Two covers of a publication titled “Taiwan Step”, issue “no. 18”, published in “May 2016”. The left cover features a photograph of people hiking up a mountain ridge, overlaid with bold black Chinese characters. The right cover is a minimalist design with light blue horizontal stripes.
Above

Peter Chang

The cover of a book in pale blue features the title “Seven Days in the Art World” repeated twice. The text is set in a bold black sans-serif font over a peach-coloured jagged star shape.
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Peter Chang

The cover of a book by Melanie Joy, PhD. A large orange circle contains a bold Chinese character, with the English title “Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism” printed at the top.
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Peter Chang

The cover of a book on textured grey paper with bold red characters. The title reads “Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism”.
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Peter Chang

Two books lie side by side against a white background. One has a black cover and the other a brown kraft paper cover, both featuring a mirrored graphic of a stylized “33” and linear patterns.
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Peter Chang: Graphic elements provided by Timonium Lake

A book cover with a pale yellow background. Abstract brushstrokes in green, brown and red surround the title “Seven Cuisines” and Chinese characters.
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Peter Chang

The cover of a book featuring a black and white photograph of a person’s profile. Cursive handwriting is layered over the image, with a single red line striking through a word.
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Peter Chang

A book cover in mint green features a large fingerprint and a trail of dark, organic shapes. The title reads “Citizen Canine: Our Evolving Relationship with Cats and Dogs”.
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Peter Chang

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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