Let’s face facts – taxidermy is cool. For centuries we’ve been visiting natural history museums to peer through glass cabinets at stuffed animals. They’re a testament to our fascination and desire to preserve nature and study it. Italian Photographer Andrea Ferrari’s ongoing project Wild Window addresses this superbly, documenting taxidermic displays in some of the world’s leading natural history museums, and bringing the wonders of the animal kingdom directly to us.
Yet Ferrari’s use of photographic language has a unusual effect. The washed out sepia tones moves these images away from performing as purely observational documents, allowing the off-kilter compositions, and carefully staged shadows to imbue the creatures with an illusionary sense of movement. As the camera flash reflects off their glass eyes, the lifeless, sculptural specimens seem to have been caught in a momentary glance back at us, as if to confront our urge to see and know the deep hidden secrets of the natural world.
- The wacky, zany and eccentric world of illustrator Egle Zvirblyte
- Maziyar Pahlevan’s monochrome portfolio is full of typographic experiments
- The cut glass assemblages of graphic-turned-3D designer Juli Bolaños-Durman
- Photographer Mico Toledo documents the defiant protestors of Standing Rock
- Kevin Umaña’s abstract paintings portray a musical symphony
- The delicately ornate, but very cheeky sculptures of Liv and Dom
- Wolff Olins and zigbee launch the “first open-source brand for the Internet of Things”
- Too Fast To Think: why switching off unlocks creativity
- Graphic Design Festival Paris reveals 19 sport-inspired posters by Hort, Julia, Spassky Fischer and more
- FKA twigs teams up with 17 year old photographer David Uzochukwu for new Nike campaign
- Special Projects on why, sometimes, design is best kept simple
- Brian Finke captures the glitz and glamour of the Ms. Senior America beauty pageant