Here’s a few facts I read about Montreal today: it’s the second largest French-speaking city in the world after Paris, it’s on the same latitude as Venice, Italy and it’s also a UNESCO City of Design. This last little nugget of information makes perfect sense to me now after perusing the work of Pointbarre, a design collective based in the Candadian city.
Founded in 2010, Pointbarre has a wonderfully diverse portfolio of work that has one common thread running throughout their projects, which is that everything is really rather good. Unfussy, beautiful and simply lovely, their main interest is “graphic design that is orientated towards paper, screens and space.” From book covers and album sleeves to brand identities and poster design, Pointbarre do it all with such grace and sophistication.
- Photographer Trent Davis Bailey documents rural American community The North Fork
- Like a warm embrace, it's Best of the Web!
- Swedish illustrator Malin Rosenqvist creates textural works about psychology and powerful women
- Animator Jimmy Simpson creates technology-inspired ident for MTV
- Leander Assmann's illustrations are full of paired-back shapes and patterns
- Illustrator Andrey Kasay invites us into his surreal yet amusing world
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio