Here’s a few facts I read about Montreal today: it’s the second largest French-speaking city in the world after Paris, it’s on the same latitude as Venice, Italy and it’s also a UNESCO City of Design. This last little nugget of information makes perfect sense to me now after perusing the work of Pointbarre, a design collective based in the Candadian city.
Founded in 2010, Pointbarre has a wonderfully diverse portfolio of work that has one common thread running throughout their projects, which is that everything is really rather good. Unfussy, beautiful and simply lovely, their main interest is “graphic design that is orientated towards paper, screens and space.” From book covers and album sleeves to brand identities and poster design, Pointbarre do it all with such grace and sophistication.
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli