Here’s a few facts I read about Montreal today: it’s the second largest French-speaking city in the world after Paris, it’s on the same latitude as Venice, Italy and it’s also a UNESCO City of Design. This last little nugget of information makes perfect sense to me now after perusing the work of Pointbarre, a design collective based in the Candadian city.
Founded in 2010, Pointbarre has a wonderfully diverse portfolio of work that has one common thread running throughout their projects, which is that everything is really rather good. Unfussy, beautiful and simply lovely, their main interest is “graphic design that is orientated towards paper, screens and space.” From book covers and album sleeves to brand identities and poster design, Pointbarre do it all with such grace and sophistication.
- M/M (Paris) and the ongoing conversations that define its practice
- Mari Kanstad Johnson's wonderful work picks apart complex narratives
- Bradley Pinkerton’s projects combine handmade gestures with scanned-in textures
- Roberts Rurans uses acrylic paint to add depth and warmth to his illustrations
- The prodigal return of “iconoclastic” artist Danny Fox
- Jump into the world of Ben Jones’ post-internet, psychedelic paintings
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books