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An illustration of a stylised, symmetrical face in red, yellow and purple. The figure has a wide, open mouth and geometric features set against a dark blue background.

Check out Raymond Lemstra and his wonderfully quirky robotic totems

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Date
17 May 2012

Tribal and robotic, are rarely two words that go hand-in-hand but somehow illustrator Raymond Lemstra manages to succeed in fusing the traditional with the futuristic in his mask and character designs. Soft, dulled colours blend with rounded squares and fine angles, these illustrations are subtle and steer clear of becoming paraodies of tiki wood carvings or totem poles rather they breathe new life into them. Throughout his work there’s a real sense of personality to each of his designs even when it’s a completely symmetrical, unmoving mask. It’s the detail and composition that enables Raymond to give them quirks and character, strengthening his pieces and making you dig that line work even more.

An illustration of a stylised, symmetrical face with a pale blue complexion and a pointed chin. The figure wears an ornate, golden headdress with geometric patterns and small red eyes.
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Raymond Lemstra:

An illustration of a stylised, symmetrical face in shades of yellow and green. The figure is framed by flowing red hair and a pale blue hood, set against a solid blue background.
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Raymond Lemstra: Akuma

An illustration of a stylised, mask-like face with swirling orange and yellow eyes. Above the figure, bold teal typography reads “DE BALIE” and “DH RAAIT”.
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Raymond Lemstra: De Balie

An illustration of a figure wearing a large, boxy white headpiece resembling a piece of electronics. They wear a green robe and hold a red book that reads “FUKH”.
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Raymond Lemstra: Fraternatatis II

A pencil drawing of a person in a suit and tie, whose face is replaced by a geometric, folded paper shape. A thin needle or pin pierces through the centre of the paper face.
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Raymond Lemstra: Tobacco I

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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