Here we are it’s number three in our collaboration with oki ni! This time set designer Sarah Parker has cast her well-trained eye upon some more of the clothing company’s finest picks and magicked them into a spectacular geometric scribble-fest of an arrangement.
Sarah cites the strong lines and symmetry of graphic design and certain optical illusions as some of her strongest influences and says that the inspiration for this brief came “from a recollection of my old art lessons at school as a child where we were tasked with creating different textures and doing ‘mark making’ using charcoal and graphite sticks. I wanted to create some playful environments that had a distinctly hand made feel but also retained some of the simple graphic aesthetic I really love.” Check out the rest of her fantastic work over on her website.
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio