If Quentin Tarantino made ads, they’d look like this. The scene is a dark, chintzy bar. Our protagonist wears a studded denim jacket and glitzy gold earrings. There’s a song in the background about Little Red Riding Hood, and I think we all know who’s the Big Bad Wolf.
The woman exerts a menacing cool which most of us could only dream of; she has the knowing look of someone about to commit cold-blooded murder in a manner so stylish that Uma Thurman would be proud. This might have something to do with her talons painted with Jaws’, well, jaws, which she slides sassily around her glass of Southern Comfort. Wieden + Kennedy’s latest in the “Whatever’s Comfortable” series oozes the husky charm of the Deep South. “Want That Drink?” Sure we do! It is Friday, after all.
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- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll's bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson's Morris Dancing-heavy first music video in six years
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- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations