• Things_big

    Things

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    Serge vs. Spaceship Earth

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    Serge vs. Spaceship Earth

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    Paper Sound

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    Paper Sound

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    Paper Sound

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    Paper Sound

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    Paper Sound

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    the palace explodes the shrimp bail, when the flower want to oxygen and nutrition, i will help too much.

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    the palace explodes the shrimp bail, when the flower want to oxygen and nutrition, i will help too much.

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    the palace explodes the shrimp bail, when the flower want to oxygen and nutrition, i will help too much.

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    the palace explodes the shrimp bail, when the flower want to oxygen and nutrition, i will help too much.

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    the palace explodes the shrimp bail, when the flower want to oxygen and nutrition, i will help too much.

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    Marin, Jack, Ellie

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    Marin, Jack, Ellie

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    Marin, Jack, Ellie

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    Marin, Jack, Ellie

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    Hungry?

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    Hungry?

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    Hungry?

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    Hungry?

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    Hungry?

Illustration

Things

Posted by Bryony Quinn,

Here is this week’s crop of the post bags and hand-delivered goodies, complete with cook book, photo zine and some especially talented illustrators’ efforts. Serge Seidlitz, Harriet Cory-Wright, Bruno Zhu & Mengxi Zhang, Jack Hughes, Marin Matsuo, Ellie Tzoni and everyone at Innocent can share this excellent edition of Things with the anniversary of the Apollo 11 launch. Which I think we can all agree is very cool.

Serge vs. Spaceship Earth Serge Seidlitz

Really nice screen printed graphic illustration from Serge in advance of his upcoming show. Which, if his super-prolific portfolio is anything to go by, should make for good viewing. It’s an easy-going style that belies such a bold statement as taking on the world. Go for it we say, we’re looking forward to the exhibition/death match. While on the subject, Buckminster Fuller once wrote a book about operating Spaceship Earth which Serge should probably read before jumping into the ring.
www.sergeseidlitz.com

Paper Sound Harriet Cory-Wright

Paper Sound “navigates through the rhythmic and temporal dimensions of a world described by J.G Ballard in The Sound-Sweep.” From this most intriguing opening, this carefully cloth-spined book with risographed, bible thin pages, moves into some of the promised abstract landscapes and textured layers that fit the meta-heavy prose of JGB. Lovely pencil skills and perspective-less composition, all very pleasing to the eye.
www.harrietcorywright.com

the palace explodes the shrimp bail, when the flower want to oxygen and nutrition, i will help too much. Bruno Zhu & Mengxi Zhang

Like a game of consequences, each colour photo by Bruno is answered or questioned by Mengxi’s black & whites. They show us their experiences and their different perspectives, a shared love of the obscure and the unexpected places you can find it. Each image is a random/bleak/bright/astute narrative appendage, that instead of being freakish to look at makes a quite lovely whole, with an excellent sense of humour and healthy irony.
www.mengxiz.com
www.brunozhu.tumblr.com

Marin, Jack, Ellie Jack Hughes, Marin Matsuo, Ellie Tzoni

A refreshingly friendly team effort from three Kingston illustration graduates Jack, Marin and Ellie. Just like a fun picnic, the combination of each person’s work makes each piece even better. With a big emphasis on equality (three colours, three sheets. three websites etc.) you may think that it is a collaborative project; however what this really contains is three very separate and personal projects, linked only by the friendship of the creators and the quality of the prints.
www.jack-hughes.com
www.marin-matsuo.com
www.ellietzoni.co.uk

Hungry? Everyone at Innocent

Best read at lunch! Reading about food is wonderful, eating food is even better – is this the augmented reality all the digital designers are promising us? It’s very good. Branding is as branding does and 99% of the recipes are simple as. Except the foccacia recipe which I don’t trust, from personal experience it has destroyed all self- confidence and desire to bake. Cooking-by-colour aesthetics, easy graphics, playful photography and an excellent recipe for banana ice-cream.
www.innocentdrinks.co.uk

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Illustration View Archive

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    The opera isn’t a staple on my cultural calendar but its alluring arias and ostentatious costumes seem so exotic and intriguing that perhaps I should let the dramatic melodies permeate my ear drums more often. Especially when institutions like the Scottish Opera seem keen on engaging people of all ages by enlisting the illustrative talents of London-based Sarah Tanat-Jones.

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    When we last left Sam Kalda we promised to keep an eye on the Brooklyn-based illustrator. With a portfolio already bursting with editorial work for stateside publications like The New York Times, WWD, and The Wall Street Journal, we thought it was high time to spotlight one of his personal projects.

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    Camilla Perkins is based in Brighton, and her illustrations use only the brightest hues which I hope are influenced by her seaside surroundings. We’ve not featured Camilla’s pictures since 2013, and it’s great to see how her style has developed since then. Shying away from collections of objects, it seems Camilla’s been perfecting her skills in illustrating the human form and the result is wonderful. Her figures are mainly surrounded by basic props and shapes, but the faces and features of her characters are marked out carefully in scratchy lines. In some images bold expanses of pattern applied as floors or walls are a lovely addition to all the brightness and it’s these details that really make Camilla’s work stand out.

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    Earlier this month, the Serpentine Pavilion opened to the public. The beguiling, multicoloured woven structure designed by Spanish architects SegnasCalgo sits in Hyde Park like a more grown-up version of a fort you might have built when you were a child. Over the last decade and a half the annual architecture commission has become a much-anticipated beacon of design, and to celebrate 15 years of the Summer Pavilion, the Serpentine Galleries have teamed up with Kidesign, Marina Willer and the team at Pentagram to launch a digital platform and national campaign to foster the aspiring young architects of tomorrow.

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    Occasionally, when you happen across a particularly good one, looking at a series of work by an illustrator feels like glimpsing the world through their eyes for a moment, and that’s more or less how I feel looking at Faye Moorhouse’s new series Wonky Movie Poster Show. “I illustrated 20 movie posters,” she said in her email earlier this week. “They are weird and ugly and hopefully funny.” And I can testify that they are in fact all three.

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    Danish illustrator Mads Berg’s modern take on the classic poster has seen him clock up an international client list including Wired, Monocle, Legoland and Carlsberg. His portfolio is filled with gloriously soft colours that emphasise his bold brushstrokes and simply constructed figures.

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    One weekend a year Hackney is flooded with comic-lovers clutching armfuls of printed matter between clammy hands. The reason for their being there is ELCAF, the East London Comics and Arts Festival, which is as good as a church for those who worship zines, comics, prints and books as though print were their religion and indie bookshops their altars.

  8. Owen_gatley_itsnicethat_list

    We last featured illustrator Owen Gatley back in 2012, and since then his client list has expanded impressively. Creating work for Condé Nast Traveller and airline magazines such as German Wings magazine and Jet Away, Owen has carved a lovely niche for himself through his travel-themed editorial illustrations. Simply outlined characters with expressive faces run across beaches, explore while on safari and ski past chalets. Cheerful, bright and charming, his most recent work is a joy to look at and instantly whisks me away to the destinations he’s depicting.

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    If you were to make a Venn diagram out of art and illustration, you could safely pop Bénédicte Muller’s beautiful work right in the middle. Executed with a painterly finesse and an admirable attention to detail, her pieces naturally straddle the two disciplines, so even commissioned work for clients like The New York Times and Vanity Fair feels like a personal project. Geometric shapes and sharp lines recur throughout her portfolio, as do silhouettes which are carefully overlapped to create double meanings wherever possible. Bénédicte’s entire body of work has a considered air about it which makes it a pleasure to peruse.

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    Over the two years that have passed since its inception Riposte magazine has established a solid place for itself on newsstands as “a smart magazine for women.” Now that the magazine is in its fourth issue, editor-in-chief Danielle Pender was keen to avoid needless changes in favour of upholding the high standard which it has already set.

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    There’s something charmingly bizarre about Amandine Urruty’s illustrations. Like Victorian portraits, the French artist’s characters sit quietly, are well-behaved and have excellent posture but the subjects and the commotion that surrounds them is what makes them so interesting.

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    Freud would love Petra Mrzyk & Jean-François Moriceau’s illustrations. Better known as Mrzyk & Moriceau, the eccentric creative duo famed for their risqué, offbeat illustrations have built a portfolio heavy on pop erotica out of their French studio. Their surreal, sometimes kaleidoscopic images play with body parts, black humour and innuendo, toeing the line between the dreamlike and the lustful in a way only France seems to cultivate. Using the bare bones of illustration their almost exclusively black and white line drawings are no less stirring for their simplicity, and between them they’ve built something of a cult following for their music video animations for musicians like Air and the modern-day Serge Gainsbourg, Sébastien Tellier. In tribute to their favourite part of the female anatomy, the latter of these is a hypnotic rear-view animation of a girl walking. Here we’ve handpicked an evocative edit from the provocateurs’ body of work.

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    Sam Glynn is behind some very smart editorial illustrations, and they’re not a style we post about too often. The complex surface appearances are gorgeous, and created through a painstaking process of sketching, adding geometric shapes in Illustrator and finally building up layers of texture in Photoshop – sometimes as many as hundreds of them. These layers are taken from scans of “print rollers, brush strokes, inks or anything that makes a mark on the page,” as Sam told Ape on the Moon.