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    Things

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    BFRmag #18

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    BFRmag #18

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    BFRmag #18

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    BFRmag #18

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    Coral City

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    Coral City

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    Coral City

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    Coral City

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    Coral City

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    Black Light

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    Black Light

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    Black Light

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    Black Light

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    Black Light

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    Black Light

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    I’ve got a couple things to do

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    I’ve got a couple things to do

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    I’ve got a couple things to do

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    I’ve got a couple things to do

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    Spielzeit

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Graphic Design

Things

Posted by Bryony Quinn,

Submissions for Things recently has totally blown us away. We get so much incredible stuff sent through that I’m literally under threat of death where I sit under the bookshelves. If you would like to join the likes of Roisin Dunne, Liam Cobb, Barbara Ryan, Herburg Weiland and Ronny Hunger, who are all featured in this weeks review, then please send us your work to: Things for It’s Nice That, 11 & 13 Bateman’s Row, London EC2A 3HH – many thanks!

BFRmag Issue #18 Barbara Ryan

Barbara was our intern for a couple weeks a short while ago. Some of the incredible things she left us with were a number of her zines that she prolifically puts out. This one was my favourite – lovely inky number, with illustrations that make you smile, especially when “Get off my mind please, thnx X” is the written sentiment below. She also schooled us all horribly with one of the best presentations EVER.
www.bfrmag.blogspot.com

Coral City Liam Cobb

What’s looking to be a weekly comic slot, Liam Cobb’s Coral City fills the space very nicely. The black and white, risographed book with a screen printed cover feels very special. The story reads really well and is carefully composed into changing, wonderfully paced frames that occasionally break into full page reflective pages. These spreads, that set the bigger picture for the attentively detailed characters, show off some serious skills from Liam and are the perfect antidote to a pretty heavy storyline.
www.liamcobb.blogspot.com

Black Light Roisin Dunne

Shiny cover, stock selection, statement chapter pages – all epic. The imagery itself is seriously intense too. Beautifully rendered, etching-like line and perfectly framed in their own composition that were clearly made to be printed like this. What is also striking is the range of work, the difference between the first Phases 1-3 to the Spectral series at the end is quite something in terms of one person’s output. Great stuff as always from Ditto Press who look to be really pushing themselves to create fascinating, all-things-considered books, each one totally unique.
www.roisindunne.com
www.dittopress.co.uk

I’ve got a couple things to do Ronny Hunger

A book of illustration samples from Zurich-based Ronny Hunger (who’s name brings to mind the protagonist of a 50s noir thriller) is a wonderful introduction to his work. Pages and pages of brightly coloured cut-ups, nicely composed a re-rendered with just the right amount of grit so as not to look contrived. It’s a super nice style, totally made his own.
www.cometsubstance.com

Residenztheater, München Season Issue Design by Herburg Weiland

Martin Fengel (who has previously staggered us with his photography) sent us a super package of design offerings from his studio, Herburg Weiland. And by the looks of their latest work for Residenztheater, theirs is an excellent operation. Very strong typography, poster-like page spreads and, of course, great photography.
www.herburg-weiland.de

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

  1. Anniedescarteaux-collage-7home-int

    Annie Descôteaux’s work is confident, engaging and straight-forwardly slapstick. The Montreal-based artist works with installation, drawing and collage and has seen her work exhibited and discussed at conferences on colour theory. In equally impressive outings, it’s also appeared in Bloomberg and Pica magazines, among other publications. Annie’s collage work is well-balanced with clean lines, sharp colours and discreet humour; each piece littered with raw steak, fried eggs and shuttlecocks.

  2. Oliviervrancken-untitled-1-inthome

    Olivier Vrancken is a graphic designer and artist based in Holland. Painting and drawing his way through commissions and personal work, he is inspired by everything from primitive art to the great lyricists that are Black Sabbath. Olivier has exhibited all over Europe, his Cubist aesthetic and visual references laden with nods to cut-outs, still life, architecture and the human form. There’s a great colour palette to his work and some nice titles like Bad Hair Day and Wanderlust. Olivier’s work reminds me of the prints that appeared all over the T-shirts of the 1980s, in a good way.

  3. Menutnutnut-drawing-4-int

    Me nut nut nut was one of Jason Murphy’s daughter’s first utterances, and is now the name for his drawings of awkward stories of fear and incompetence. Inspired by the physical comedy of The Young Ones and The Ren & Stimpy Show, Jason’s drawings rely on comic intuition and references to real-life moments, like dropping a potato on his cat.

  4. Seamus_murhpy_pj-harvey_-recording-in-progress_-2015.-an-artangel-commission.-_1_int

    While we wait to take our turn to become a sort of strangely sanctioned voyeur as PJ Harvey records her ninth album, thinking about what’s ahead feels peculiar. Essentially, we’re going to see PJ (Polly Jean) Harvey, her band, producers Flood and John Parish, a photographer and two engineers making an album in a Something & Son-designed box, formed of glass that allows visitors to see in, while the musicians can’t see out.

  5. Atelierbingo-list-int

    Up to the point when I opened Atelier Bingo’s new zine Wogoo Zoogi I’d never wondered what two aliens in heated conversation might look like. Having had a read I can now confirm that the answer is “they are speaking, singing very strangely, and they have a hair on their tongues." The newest bout of work from French illustration and surface design duo Adèle Favreau and Maxime Prou is a wonderful celebration of playful, dynamic, abstract art; blending shapes, colours and patterns in a glorious puddle of chaos thinly disguised as alien chat. In fact, it’s everything we’ve been led to expect from the pair, who we’ve dolloped praise on in the past.

  6. Faigahmed-carpets-list-2-int

    Faig Ahmed is an Azerbaijani artist doing remarkable things with carpets. He takes traditional Azerbaijani rugs – enormous, beautiful intricate creations – un-weaves them, and reconstructs them to create new patterns and shapes, subverting traditional usage of rugs as domestic objects to be walked all over, and rejuvenating them with optical illusions and techniques reminiscent of contemporary internet art. 

  7. Slavs_tatars-loveletters-home-int

    The work of Slavs & Tatars is awash with unlikely cultural references, balloons, archives and carpets. Identifying “the area east of the former Berlin Wall and west of the Great Wall of China” as the focus of their work, their projects are generous, engaging and genre-crossing. Starting as a reading group before shifting into making their own work, Slavs & Tatars have recently been working on a continuation of their Long Legged Linguistics project, a multi-faceted study of language as a source of emancipation. The somewhat secretive collective were kind enough to tell us more about this and their “bazaar” approach to making work.

  8. Davidbatchelor-october-13-int

    If you go down to the Whitechapel Gallery anytime between now and early April you’ll be sure to come across a huge breadth of work chronicling the adventures of the black square, from 1915 all the way up to the present day. It’s fairly monochromatic, as you might expect. Upstairs, however, things get drastically more colourful – especially once you come to David Batchelor’s specially “disrupted” issue of October, one of the most respected art journals out there, first published in 1976 and edited by esteemed writers Michel Foucault, Richard Foreman and Noël Burch.

  9. Alexdacorte-easternsport-1-int

    Perennial student artist Alex Da Corte has qualifications, residencies and awards coming up to his eyeballs having studied Film, Animation and Fine Arts at New York’s School of Visual Arts, Printmaking and Fine Arts at The University of the Arts, Philadelphia and then a cheeky MFA in Sculpture at Yale. Busy guy!

  10. Duane_hanson_-_karma3

    Karma Books have just published a catalogue of Duane Hanson’s post-humous exhibition Flea Market Lady. Shown at New York’s Gagosian Gallery, Duane’s flea market ladies are taken from real-life characters and cast in bronze. An incredible feat of observation and skill, his work captures the character of his models and creates a very real atmosphere of flea-ing. Karma have kindly let us publish an extract from the imaginary conversation Maurizio Cattelan has with the artist in the foreword to the book:

  11. Hdl5_copy

    Hubert de Lartigue paints photo-realistic portraits that “serve the beauty” of his models, and his muse. He considers “emotion and soul” the most important part of a painting and spoke to us about his working process, inspiration and the impact of his muse, Octavie.

  12. Main_10.00.34

    If I won the lottery I’d open a gallery, and when I opened my gallery I’d totally rip off everything that David Kordansky Gallery does. From the big stuff like the very well-curated, cool list of artists they represent, to the impeccable printed matter they produce, to the matter of their easily navigable and well designed website – these guys are celebrating people’s work in the best way possible.

  13. List

    For all its simplicity – the limited use of colour, the seemingly straightforward shapes – there’s something about the work of Jens Wolf that’s undeniably intriguing and complex. Bringing to mind the likes of Josef Albers and Frank Stella, his abstract pieces set off their precise geometry with deliberate imperfections that add a human element to its formality. With his first London show opening in March, we had a chat with him about the creative process, the evolution of his work and why his London is forever foggy.