Lucy Bourton

Janet Delaney: Public Matters, Crowd waiting, 1986, courtesy of Euqinom Gallery and Mack

Lucy (she/her) joined It’s Nice That as a staff writer in July 2016 after graduating from Chelsea College of Art. In January 2019 she was made deputy editor and in November 2021, became a senior editor predominantly working on It’s Nice That's partnerships. Feel free to get in contact with Lucy about creative projects for the site or potential partnerships.

lb@itsnicethat.com

All 1620 articles

Will AI mean that creative directors get stuck in an “echo chamber” of design?

15 November 2023

Art direction vs artificial intelligence: A helpful tool or an added hassle?

15 November 2023

Shades of Intelligence: 83% of creatives are already using machine learning tools – is now the time to get on side with AI?

15 November 2023

Can AI help you win your next brief?

15 November 2023

Curious or cautious of AI? We want to hear from you

20 September 2023

“It is not enough that we just exist”: A discussion on the continued imbalance of female representation in type design

20 March 2023

Global Type: Around the world via 100 foundries showcasing the power of the letterform

15 March 2023

Talking trash with the art world’s favourite comedian, Joe Lycett

2 March 2023

Is “laziness” the key to creativity? The Lazy Report argues for the art of kicking back

16 January 2023

We look back on the year that was, from Miyazaki to machine learning

20 December 2022

Reflecting on a bold year for motion design with DEMO festival

16 December 2022

Fisk founder Bijan Berahimi on how baby steps are key when growing a creative business

8 November 2022

Can creativity be a catalyst for change? BBC Earth invites artists to utilise the natural world and rewild their practices

10 October 2022

“PSDs, PTSD and inner peace”: How two friends are disrupting design discussions via a podcast

1 September 2022

Meet Me in the Metaverse: We invite future-facing creatives to reimagine design classics

24 August 2022

“Their work was a feeling, not an instruction”: A visual history of tomato, the era-defining collective of the 1990s

15 August 2022

“If you make things that move, DEMO is the festival for you”: Take your last chance to submit to the world’s largest motion festival

29 June 2022

Jonathan Isaacson balances design quirks with technical care

20 June 2022

Discover the emotive work of illustrator Karlotta Freier

14 June 2022

Studio Dumbar/DEPT® is organising the world’s largest motion design festival – and looking to feature your work

21 April 2022

Will AI mean that creative directors get stuck in an “echo chamber” of design?

Art direction vs artificial intelligence: A helpful tool or an added hassle?

Shades of Intelligence: 83% of creatives are already using machine learning tools – is now the time to get on side with AI?

Can AI help you win your next brief?

Curious or cautious of AI? We want to hear from you

“It is not enough that we just exist”: A discussion on the continued imbalance of female representation in type design

Global Type: Around the world via 100 foundries showcasing the power of the letterform

Talking trash with the art world’s favourite comedian, Joe Lycett

Is “laziness” the key to creativity? The Lazy Report argues for the art of kicking back

We look back on the year that was, from Miyazaki to machine learning

Reflecting on a bold year for motion design with DEMO festival

Fisk founder Bijan Berahimi on how baby steps are key when growing a creative business

Can creativity be a catalyst for change? BBC Earth invites artists to utilise the natural world and rewild their practices

“PSDs, PTSD and inner peace”: How two friends are disrupting design discussions via a podcast

Meet Me in the Metaverse: We invite future-facing creatives to reimagine design classics

“Their work was a feeling, not an instruction”: A visual history of tomato, the era-defining collective of the 1990s

“If you make things that move, DEMO is the festival for you”: Take your last chance to submit to the world’s largest motion festival

Jonathan Isaacson balances design quirks with technical care

Discover the emotive work of illustrator Karlotta Freier

Studio Dumbar/DEPT® is organising the world’s largest motion design festival – and looking to feature your work

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