Toni Halonen’s work is almost unrecognisable from when we first featured it back in 2012. The Finnish designer and illustrator has more or less abandoned the CGI characters and distorted typefaces that populated his early work in favour of something altogether more natural and illustrative – which is probably because he now keeps his own design studio as well.
Now his images are defined by bright, bold shapes, sexually charged narratives and a reductive approach to imagery that means even the simplest of lines conveys an important piece of visual narrative. Clearly this change has done him some good as Toni’s now on the radar of KENZO, Nokia and Heineken to name but a few.
- Bow down witches, it's a Best of the (cob)Web Halloween special!
- Photographer Philippe Chancel captures North Korea’s intensely choreographed ceremonies
- From a family-run "famzine" to a 30p grime mag, it's October's Things
- The Wellcome Collection publishes book of early infographics, charts and diagrams for organising nature
- Sophie Koko Gate, an animator with immense illustrative skill
- Artist and illustrator Jamie Johnson's gently surreal compositions
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Working Not Working reveals the top 50 companies creatives would kill to work for
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- William Knight's socially conscious portfolio of graphic design