Toni Halonen’s work is almost unrecognisable from when we first featured it back in 2012. The Finnish designer and illustrator has more or less abandoned the CGI characters and distorted typefaces that populated his early work in favour of something altogether more natural and illustrative – which is probably because he now keeps his own design studio as well.
Now his images are defined by bright, bold shapes, sexually charged narratives and a reductive approach to imagery that means even the simplest of lines conveys an important piece of visual narrative. Clearly this change has done him some good as Toni’s now on the radar of KENZO, Nokia and Heineken to name but a few.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich