• Rli-n-14-ptg

    ROY LICHTENSTEIN Entablature, 1974 oil, Magna, sand, Magna medium, aluminum powder on canvas 60 × 90 in. (152.4 × 228.6 cm)

  • Rli-n-12-ptg-0606

    ROY LICHTENSTEIN Entablature, 1974 Magna, sand, Magna medium, aluminum powder on canvas 60 × 100 in. (152.4 × 254 cm)

  • Rli-n-13-ptg-kevin-ryan

    ROY LICHTENSTEIN Entablature, 1975 Magna, sand, Magna medium, aluminum powder on canvas 60 × 90 in. (152.4 × 228.6 cm)

  • Anp_cerberus

    Josh Keyes: Migration

  • Lastkiss_72dpi

    Josh Keyes: Migration

  • Jsh-keyes

    Josh Keyes: Migration

  • Foundingfatherswb

    Seth: The Great Northern Brotherhood of Canadian Cartoonists

  • Sethcomic_gumball-6wb

    Seth: The Great Northern Brotherhood of Canadian Cartoonists

  • Greenghostwb

    Seth: The Great Northern Brotherhood of Canadian Cartoonists

Exhibition

What's On: New York

Posted by Bryony Quinn,

Our selection of New York’s finest exhibited delights is an inadvertent celebration of painting. But really, considering that the photo-realistic, faintly end time scenarios in Josh Keyes’ work are as different to the grey-wash panelling of cartoonist Seth, which are in turn as different to Roy Litchenstein’s post-pop diagrams as it’s possible to get under a single umbrella term, it’s all good. I think paint and being very, very nice is all they have in common. Not tenuous at all!

Josh Keyes: Migration Jonathan LeVine Gallery

Josh Keyes paints skewed realities that depict the man-made world in careful juxtaposition to the animal kingdom with almost photographic attention. The title, Migration presents a number of visual queues which the artist plays with brilliantly. There are the familiar visuals of certain species in motion – deer leap, birds flock, whales break the surface – through a hyper-real cross-section of suburban street or in an impossible diorama that recalls a natural history museum in its off-kilter reinterpretation of reality. Technically Keyes’ work is spectacular, conceptually they are altogether more interesting – static images that tell an incredibly dynamic story. Opening this week, the show show runs until November 19.
www.jonathanlevinegallery.com/josh-keyes

Seth: The Great Northern Brotherhood of Canadian Cartoonists Adam Baumgold

Seth is the Canadian cartoon stalwart whose long-running strips and series – like Palookaville and George Sprott – have been a permanent touch-stone for the alternative comic scene since the 1990s. His drawings are a signature black line and grey ink wash – a wonderfully lit, frame-based style – and more than 100 of them are now on show in New York’s Adam Baumgold Gallery. These originals, plus related model ephemera, present the crux of his latest book, The Great Northern Brotherhood of Canadian Cartoonists. Full of fictive and biographical detail about this estimable club, Seth performs brilliantly with the full comics arsenal, “newspaper strips, nickel-backs, gags, comic books, political satire, accordion books, and graphic novels.” It runs until November 23.
www.adambaumgoldgallery.com/seth

Roy Litchenstein: Entablatures Paula Cooper Gallery

Entabulatures are intensely observed and reduced paintings of the architectural detailing that sits in the moulds and cornices of some Greco-Roman rival buildings in America. Depicted as if seen under the sharp relief of a midday sun, a lot of these works appeal directly to the pop aesthetic using the visual vernacular that popularised Litchenstein’s work in the 1960s – and as art historian Barbara Rose commented, the Entablatures works are: “like the comic strip in that they are reductive, symbolic and diagrammatic images closer to the world of abstract signs than to that of representational imagery.” See them for yourself until November 12.
www.paulacoopergallery.com/entablatures

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Exhibition View Archive

  1. Max-colson-itsnicethat-list

    If you live in a city, the chances are you’ve already encountered the digital composite images used to advertise the new “urban builds” popping up left, right and centre like ant hills in an otherwise lovely summer’s garden. Have you ever taken a second to recognise how hilarious a spectrum of “urban residents” they include though? A lovely smattering of white middle class men aged between 20 and 40, perpetually swinging briefcases, with the odd sweet-looking woman pushing a buggy for good measure.

  2. Jenny_holzer_hauser_and_wirth_int_list

    You would be forgiven for thinking Jenny Holzer’s hard-hitting work and guerrilla tactics would seem incongruous in the English countryside. Somerset is an unlikely setting for the American artist whose first public works Truisms began as posters dotted around Manhattan in the late 70s where, among many things, she first told the world “There’s a fine line between information and propaganda.” A few years later her plea to be saved from ourselves blazed above New York’s capitalist heart in Times Square: “Protect me from what I want.”

  3. Barbican-list

    “We wanna be free, we wanna be free to do what we wanna do,” as we heard through Primal Scream (it’s a quote from the film The Wild Angels , fact fans). Now for the Barbican’s mammoth Station to Station: A 30 Day Happening show by Doug Aitken, artists from Gillian Wearing to Bob and Roberta Smith and graphic design studios including Zak Group and Good Wives and Warriors have created posters responding to the concepts “free” or “freedom.” As you’d expect from such a varied bunch, the posters show a huge range of approaches to the brief, including a depiction of a smoking vicar and a few simple, typographic responses from Ruth Ewan and Zak Group. The idea behind the posters’ creation was to echo “the sprite of Fluxus happenings,” according to the Barbican, and will be pasted throughout the centre-wide show.

  4. Warhol_underground_int_list

    From The Velvet Underground to the silver studio-cum-squat-palace that was the Factory, Andy Warhol’s reach extended far beyond painting and screenprints. So ingrained is he in the fabric of modern culture it is virtually impossible to escape his influence even today. A new exhibition at the Centre Pompidou-Metz in France explores his many collaborations and the relationship between music, dance and art in his unfading body of work.

  5. Charlie-kwai-itsnicethat-list

    Forgive me a moment of philosophising, but all too often we walk through our lives with our eyes glued to Citymapper, or street signs, or the electronic noticeboard in the tube, and miss the eclectic, bizarre and utterly extraordinary collection of people we pass by on a daily basis. But in London at least, Charlie Kwai is on a one-man mission to capture the collection of people who disappear into the abyss, and in doing so he has built up a collection of snapshots documenting our cultural environment.

  6. Fraser-muggerige-barbican-happening-its-nice-that-list

    The worlds of conceptual art and functional graphic design cross perhaps less often than they should. But creating a piece of design that has to perform in a commercial sense and the expression of complex, looser artistic ideas can come together beautifully, as exemplified in the little corner devoted to graphic design at the Barbican’s current show by Doug Aitken, Station to Station: A 30 Day Happening.

  7. List-nationwide_howitshouldbe1

    D&AD has announced the winners of the New Blood Awards, which celebrate young creatives. The winners were selected from designers that responded to real briefs set by Airbnb, BBC, WWF, Facebook, Nationwide, npower, Pantone, i-D, Monotype, John Lewis, TalkTalk, VICE, WeTransfer and WPP. The awards are open to anyone in full or part-time education, recent graduates who finished their course within the past two years and anyone 23 or under.

  8. Royal_academy_summer_exhibition_poster_list

    I never thought I’d use the word irreverent to describe the Summer Exhibition at the Royal Academy. Since 1769 the RA has taken a fairly unwavering and conservative approach to the world’s largest open submission exhibition, hanging up to 1,000 works by both amateur artists and great names. Long the lacklustre foxhole of stuffy Academicians and part-time painters, this year marks the greatest effort the RA has made yet to reinvigorate the English summer stalwart.
     
    It’s no surprise that the man behind the brightest, boldest edition yet is Michael Craig-Martin, this year’s curator and the artist best known for his Pop Art palette and his tutorship of YBA trailblazers Damien Hirst and Sarah Lucas. Among his modernisms for the show is the decision to repaint the three central galleries in colours lifted straight from his work: hot pink, turquoise and baby blue. Far from playing to mere spectacle, Craig-Martin’s trademark penchant for polychrome is a bold statement that does away with both the white cube mis-en-scène of contemporary art and the fusty grandeur of the Academy. Regular attendees might also notice he has made the print galleries more central.

  9. 9.koons_tulipanes-itsnicethat-list

    There’s been a lot of conversation in the studio recently about art exhibitions that beg to be photographed, and they don’t come much more Instagrammable than the Jeff Koons retrospective. Having started out at New York’s Whitney Museum and then progressing to Paris’ Centre Pompidou, the show has just begun the final leg of its journey at the Guggenheim in Bilbao, where we attended the opening last week; to take a selfie with the balloon dog, among other things.

  10. 8_red-with-red-1_2007_%c2%a9-2015-bridget-riley.-all-rights-reserved_-courtesy-karsten-schubert_-london-itsnicethat-list

    Bridget Riley’s work is utterly fascinating to me. Her enormous geometric canvases, ranging from illusory patterns to orderly explosions of colour have developed over the course of her career to create an extensive oeuvre exploring every dark corner of shape and form. Behind the expansive canvases lies a deeply methodical approach which, although invisible to the viewer, is the concrete foundation to her work, and in this new UK retrospective at the De La Warr Pavilion the accompanying studies will be displayed alongside the finished canvases. Spanning 50 years worth of her curve paintings and including more than 30 paintings and studies, it looks set to be a show to remember.

  11. Ema-itsnicethat-list

    Musician and multi-media artist EMA has launched a call-out to members of the public to send her their “sacred objects,” which she will digitally destroy as part of a performance piece called I Wanna Destroy (Sacred Objects from Suburban Homes). The piece will take place as part of her residency in Station to Station: A Three Day Happening at the Barbican this summer, and will take the form of an immersive performance and installation featuring music, visuals, and a virtual reality environment for Oculus Rift.

  12. Ruth_van_beek_rehearsal_it's_nice_that_list

    London is the most Instagrammed city in the world, but this week photography has hit the capital like never before. Over the next four days some 70 galleries have taken up residence under Somerset House’s neoclassical roof, bringing together a mix of vintage and contemporary prints for the largest photography fair ever held in London.

  13. Camper_life_on_foot_its_nice_that_list

    Shoes are functional. They keep our feet dry and safe from the elements but we have an ingrained desire to take the humble shoe beyond this purpose. We like to make them into objects we can admire, play around with and explore. For Spanish footwear brand Camper, this sense of fun is at the heart of what they do and we’re given a glimpse of this creativity in a new exhibition at the Design Museum. Life on Foot marks the 40 year anniversary of Camper and takes us on the journey from collection conception all the way to the shop floor.