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A close-up of crumpled, iridescent foil reflecting deep reds, purples and blues. The metallic surface creates a series of sharp, distorted folds and shimmering highlights.

Photography: William Miller repurposes discarded negatives to create jewel-like images

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Date
3 June 2014

Recycling, upcycling and repurposing is all the rage these days and while not everyone needs an armchair made out of a bathtub, the concept of subverting an object’s original purpose is an interesting one. Take William Miller’s latest project, Surface Tension, he’s used discarded negatives from old photography projects and turned them into sculptural objects. By crushing, folding and slicing the negatives and using a flatbed scanner to photograph them, a stunning, abstract refraction is created.

We’ve been big fans of William’s for a couple of years now, featuring his Ruined Polaroids project back in 2012, which also converted discarded items into beautiful works of art. This new series is just as mesmerising with beautiful reddish brown tones, clashing wonderfully with electric blue and cerulean pigments.

I love how they look like close-ups of amazingly weird jewels, and how it’s only when we’re given an aerial of one of the negatives that it’s clear how this effect has been achieved. It’s fascinating to see someone use a material in an inventive way, playing with techniques and processes to create something far more beautiful than perhaps it could have been.

An abstract image of iridescent colours divided by a dark horizontal line. Shimmering bands of blue, yellow and red are framed by jagged, white crystalline textures at the top and bottom.
Above

William Miller: Surface Tension

A close-up of a reflective, iridescent surface with sharp creases and folds. The deep red background is cut through by shimmering streaks of silver, blue and yellow light.
Above

William Miller: Surface Tension

An abstract image created from a piece of film with iridescent, rainbow-coloured streaks that form a symmetrical, peaked shape. The edges of the film are marked with the text “KODAK EKTAR 100”.
Above

William Miller: Surface Tension

An abstract composition of overlapping, elongated diamond shapes. The forms shift between deep black and iridescent gradients of blue, red, and yellow.
Above

William Miller: Surface Tension

An abstract image of iridescent light refracting across a dark, textured red surface. Bright streaks of blue, yellow and white light converge in the centre, creating a sharp, angular glow.
Above

William Miller: Surface Tension

An abstract painting featuring a chaotic swirl of deep red and purple tones. Fine, scratchy lines arc across the surface, creating a sense of circular motion.
Above

William Miller: Surface Tension

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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