Browsing through the portfolio of intercontinental design consultancy Left Loft is something of a daunting experience. Not only have they worked with more clients than you can feasibly imagine, they’ve also produced a vast body of work (and I really do mean vast) in 2012 alone.
We were first alerted to their immaculate work for the quinquennial dOCUMENTA back in May, and then later to their equally striking collaboration with Fabio Novembre for the Milan Design Triennial. But then we found out that they were responsible for the corporate identity for everybody’s favourite sketchbook Moleskine and got unreasonably excited, so here we are featuring their work for a third time this year.
All excitement aside, it’s the commitment to professionalism that makes Left Loft’s body of work so impressive; applying a carefully considered approach to each new project and clearly placing the needs of the client ahead of any kind of aesthetic concern of their own. What emerges from this is a stylistically varied but consistently brilliant portfolio that, in their own words, is able to “achieve [their] goals by going from ideas to facts, without rhetoric and adjectives.”
- Berlin-based Cristóbal Schmal’s naive illustrations are an intriguing mix
- Here we go again, it's the Best of the Web! And the finest people to follow on social
- Odd character designs and snogging: we’re still digging the work of Dale Crosby-Close
- Tom Johnson's stunning new shoot of 12-year-old kickboxing champ “Tigger”
- Dark Igloo's deliciously digital branding for Giphy will “melt your face”
- July Diary: Where to go and what to see
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Oliver Curtis photographs the world’s most famous monuments, the wrong way round
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Pop, subcultures and the future of graphic design: an interview with Experimental Jetset
- June Korea’s photographic fantasy: one man’s relationship with his sex doll
- Laurina Paperina's dark, weird but charming work