Browsing through the portfolio of intercontinental design consultancy Left Loft is something of a daunting experience. Not only have they worked with more clients than you can feasibly imagine, they’ve also produced a vast body of work (and I really do mean vast) in 2012 alone.
We were first alerted to their immaculate work for the quinquennial dOCUMENTA back in May, and then later to their equally striking collaboration with Fabio Novembre for the Milan Design Triennial. But then we found out that they were responsible for the corporate identity for everybody’s favourite sketchbook Moleskine and got unreasonably excited, so here we are featuring their work for a third time this year.
All excitement aside, it’s the commitment to professionalism that makes Left Loft’s body of work so impressive; applying a carefully considered approach to each new project and clearly placing the needs of the client ahead of any kind of aesthetic concern of their own. What emerges from this is a stylistically varied but consistently brilliant portfolio that, in their own words, is able to “achieve [their] goals by going from ideas to facts, without rhetoric and adjectives.”
- Studio Zwupp’s festival identity combines found type with abstract imagery
- Meet Jack Pearce: the illustrator drawing skate tribes
- Anna Haas’ structured yet anarchic approach to graphic design
- “Made for designers, not 3D experts”: Adobe Stock demystifies 3D renders
- Tanawat Sakdawisarak’s crisp illustrations reference pop music and video games
- Photographer Jay Wolke remembers gambling spots in the US during the 80s and 90s
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books