Our pod, who art in heaven, Studio Audience be thy name. Thy kingdom come, they chat be done, on art as it is on design. Forgive us these days the odd pun and splutter of laughter, as we forgive those who pun against us. For thine is the podcast, the power and the glory, for ever and ever. Amen.
This week we shared our love of JWT Brazil’s work rebranding children’s cancer treatment with superheroes (above), welcomed the extraordinary Alan Fletcher archive and toasted the success of George Butler at the V&A Illustration Awards. We then looked at The Guardian’s new data-driven coffee shop – and the backlash –and wondered whether The Rolling Stones are right to impose a TV blackout on their Glastonbury set.
First up in this section we reflected on the opening of Sou Fujimoto’s Serpentine Gallery Pavilion, why the photos don’t do it justice and where it sits alongside its predecessors.
- How I Got Here: Marco Velardi and Omar Sosa, Apartamento magazine
- It’s Nice That x Channel 4 Random Acts: “It’ll be like a guided acid trip”
- Felicity Hammond's art sends up the visual language of luxury property developers
- Gillian Wearing uses the public's work to examine privacy and individual vs collective experience
- Anna Beil defies convention with "trashy" illustrations and animations
- Polish illustrator Gosia Herba interprets myths and legends in pastel tones
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Yoshinori Mizutani captures the colourful, rain soaked commuters of Tokyo
- Poem Baker photographs the Jûngølā drag clowns of London’s Deptford
- Stack founder Steven Watson shares five of his top magazines
- Photography: New show at LCC shows young travelling communities of the 90s
- Hilarious and charming new Maynards Bassetts' Liquorice Allsorts ad by Jack Sachs