Our pod, who art in heaven, Studio Audience be thy name. Thy kingdom come, they chat be done, on art as it is on design. Forgive us these days the odd pun and splutter of laughter, as we forgive those who pun against us. For thine is the podcast, the power and the glory, for ever and ever. Amen.
This week we shared our love of JWT Brazil’s work rebranding children’s cancer treatment with superheroes (above), welcomed the extraordinary Alan Fletcher archive and toasted the success of George Butler at the V&A Illustration Awards. We then looked at The Guardian’s new data-driven coffee shop – and the backlash –and wondered whether The Rolling Stones are right to impose a TV blackout on their Glastonbury set.
First up in this section we reflected on the opening of Sou Fujimoto’s Serpentine Gallery Pavilion, why the photos don’t do it justice and where it sits alongside its predecessors.
- Sean and Seng travelled to Mongolia to shoot for Arena Homme+
- Joshua T Gibbons provides an insight into the relaxed bachelor lifestyle of Cockney Stan
- New York-based Blake Lewis’ neat and considered portfolio exudes simplicity
- Latvian illustrator Zane Zlemeša's delicately painted drawings
- Photographer Carlota Guerrero on collaborating with Solange and getting signed to WeFolk (some NSFW)
- Linda Brownlee’s beautiful photography book captures family life in a Sicilian village
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich