Our pod, who art in heaven, Studio Audience be thy name. Thy kingdom come, they chat be done, on art as it is on design. Forgive us these days the odd pun and splutter of laughter, as we forgive those who pun against us. For thine is the podcast, the power and the glory, for ever and ever. Amen.
This week we shared our love of JWT Brazil’s work rebranding children’s cancer treatment with superheroes (above), welcomed the extraordinary Alan Fletcher archive and toasted the success of George Butler at the V&A Illustration Awards. We then looked at The Guardian’s new data-driven coffee shop – and the backlash –and wondered whether The Rolling Stones are right to impose a TV blackout on their Glastonbury set.
First up in this section we reflected on the opening of Sou Fujimoto’s Serpentine Gallery Pavilion, why the photos don’t do it justice and where it sits alongside its predecessors.
- Photographer Trent Davis Bailey documents rural American community The North Fork
- Like a warm embrace, it's Best of the Web!
- Swedish illustrator Malin Rosenqvist creates textural works about psychology and powerful women
- Animator Jimmy Simpson creates technology-inspired ident for MTV
- Leander Assmann's illustrations are full of paired-back shapes and patterns
- Illustrator Andrey Kasay invites us into his surreal yet amusing world
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio