• Things_big

    Things

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    Eternal Source of Light Divine

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    Eternal Source of Light Divine

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    Eternal Source of Light Divine

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    Eternal Source of Light Divine

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    Eternal Source of Light Divine

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    Toska

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    Toska

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    Toska

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    Toska

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    Toska

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    Wild Weeds: Selected Lyrics 2000 – 2010

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    Wild Weeds: Selected Lyrics 2000 – 2010

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    Wild Weeds: Selected Lyrics 2000 – 2010

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    Wild Weeds: Selected Lyrics 2000 – 2010

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    Legacy

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    Legacy

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    Legacy

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    Legacy

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    Le Gun 1, 2, 3

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    Le Gun 1, 2, 3

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    Le Gun 1, 2, 3

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    Le Gun 1, 2, 3

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    Le Gun 1, 2, 3

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    Le Gun 1, 2, 3

Graphic Design

Things

Posted by Bryony Quinn,

Things this week includes an epic tome of illustration called Le Gun (one, two and three), and Toska – “a sen­sa­tion of great spir­i­tual anguish often with­out any spe­cific cause…” Also, the legacy of the Arden Projects has been documented, and some concreted lyrics/typographic conceptuals have been typeset. Lastly, Things includes an alternative way to contemplate “bright white cornish pasty” or “bright white snow drop” paper stocks, for those who order paper samples, which is perhaps a lot of you…

Eternal Source of Light Devine YCN, Nick Ballon, Nelly Ben Hayoun

A pleasing and original stock sample book from Fedrigoni. A brilliant, if not surreally conceived book by YCN together with the ace stylist Nelly Ben Hayoun and photographer Nick Ballon. Some of it gets a bit Blue Velvet – a man smelling stock, a sexy ink close up, a woman lying on chair wrapping herself in paper etc. – but that’s good, I love that film.
www.fedrigoni.co.uk
www.ycnonline.com

Toska Lizzy Stewart

From a quote by Vladimir Nabokov, the word “toska” translates from Russian to something like “melancholia”. Here, the word has been interpreted with a deft quality in tone and line, firstly land-bound and grey, and then with people who are beginning to take the forms of their own wistful evocations. I like the pace here, and in so few pages it has a genuine feeling that pulls you through even though there is no narrative to speak of.
www.abouttoday.co.uk

Wild Weeds Composed by J. Maizlish. Design by Emma Williams

A set of type that echoes the rhythm and structure of a songs lyrics, “set on the page according to how and where they fall in their original musical settings.” Bars of music are broken as lines in text, the beats per line cited in the left. It’s a wonderfully simple, temporally concrete book, written by J. Maizlish and designed by Emma Williams (overseen by Fraser Muggeridge).
www.pleasedonotbend.co.uk/wild-weeds
www.emma-williams.com

Legacy: The Arden Projects Zelda Malan, Jack Llewellyn, Doug Stewart and Scott Taylor

Legacy, a collection of loose images and a book – which we are informed contains a pig’s innards and a gun, plus an imaginable spectrum in-between – is a document and celebration of Paul Arden, Toni Arden, the Arden Gallery itself, and the mutable, talented and “something you’d never seen before” students of Kingston University. It is also, and we totally agree, full of “clever ideas, great poignant images and passion.”
www.ardenandanstruther.com

Le Gun 1, 2, 3 Le Gun

“Welcome to a planet created by tireless fantasists built with ink-stained hands and common ground,” so starts this epic book, a collection of the first three cult illustration publications, Le Gun. The artists who formed it, all ex-RCA students, have a pretty cool story as to its survival involving hangovers and a financier from Madness. But bigger than that of course is the content. A hefty dose of narrative, predominantly in shades of grey, iconic imagery and ideas, so many ideas it hurts. A very special object indeed.
www.legun.co.uk

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

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    Head down to Southwark Street just south of the River Thames, and you’ll find Alex Chinneck’s large-scale project, A pound of flesh for 50p. Starting as a life-size two-storey house made out of 8,000 wax bricks, the sculpture will eventually be a mess of rooftop and melted wax come mid-November.

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    Several artists have attempted to respond to the nude photo scandal, in which private photographs of a number of celebrities were hacked from Apple’s iCloud software and leaked on sites like 4chan and Reddit earlier this year, but few have had any success in harnessing the sense of shock and the eery echo of “have you seen them?” which rippled through the internet in the aftermath.

  3. List-willy

    Writing is rarely a chore. However, sometimes you find yourself working on a piece that reaffirms why internships spent schlepping round Covent Garden in the pissing rain on breakfast compote runs, and hours practising writing “multi-storey carpark” in shorthand are more than worth the irritation.

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    I don’t care how nice the wallpaper or the lampshades may be, there’s something creepy about the stereotypical American motel featured in films, novels and plays. As if expressly to prove my point, artist Airco Caravan created a series called Crime Scene in which she paints the rooms that have previously played host to murders, suicides and accidental deaths.

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    Swedish creative Henrik Franklin is a designer, illustrator and animator with two of the world’s leading design schools (Konstfack in Sweden and Rhode Island School of Design) sparkling on his CV. Invited to showcase his considerable talents in Anna Lidberg’s Gallery 1:10 – “the miniature gallery for contemporary art” – Henrik produced a table of tiny tomes and the attention-to-detail on each cover design is really impressive.

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    Victoria Siddall has worked at Frieze for just over a decade and two years ago was made Director of Frieze Masters. Excitingly, just a few weeks ago she was appointed Director of Frieze Masters, Frieze New York and Frieze London. As well as being one of the most powerful women in the art world, Victoria is also my sister, so I was curious to find out how she’s feeling on the dawn of her new career.

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    The Turbine Hall at the Tate Modern has an incredible presence when it’s void of installations, which is what’s so wonderful about the huge enclosed space. As much as I admire the vast emptiness though, it’s even more exciting when a piece of work is placed in the hall and interrupts the vacuum. Opening today, American sculptor Richard Tuttle is the latest commissioned artist to show his work in the space and his 24ft sculpture certainly makes an impact.

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    I came across the work of Matthias Geisler over on Booooooom the other day and was reminded that we hadn’t posted something like this in a while. Matthias’ work is a swirling blend of spirits and creatures that are created with meticulous use of pencil crayons and water-colours. Is it me or are watercolours real in at the moment? All the cool kids seem to be using them.

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    A kind of magic happens when Seth Armstrong puts brush to canvas. Having only been familiar with his work for the Mr Porter Journal, I became instantly bewitched by his paintings when clicking through his website.

  10. List

    Whatever the some naysayers may claim there is an art to collage and not everyone can do it, despite how good you think your teenage collages of cut-out red lips, Leonardo DiCaprio and puppies were. Anthony Zinonos is the perfect example of this, having featured on the site previously he’s updated his portfolio with some really cool bits and bobs.

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    There’s something very fun and raw about Jessica Hans’ vases and her approach to ceramics in general. Based in Philadelphia, she’s had a longstanding interest in foraging and raw materials since university; this has carried over into her ceramics work, which in the past has seen her driving to clay sites, digging her materials out of the ground and then firing them in their original state to see what would happen.

  12. Listt

    “To be an artist and for anyone to care vaguely about what you do is a great thing,” says street artist Moose in this fascinating new Nissan campaign, but his work is more important than most. As the inventor of reverse graffiti – whereby he uses a high-powered pressure washer to stencil imagery in the dirt that accumulates in our cities – Moose’s work asks questions about our attitudes to pollution in a very creative way.

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    To stare into a Danny Fox painting is like waking up in a world written by Charles Bukowski on a particularly heavy bender. There’s sex and drinking and guns, plus boxers and strippers and cowboys; here a horse, there a tiger. It’s intense and unnerving and exciting, but although there’s something very contemporary about Danny’s paintings, his rise to prominence owes a great deal to the support of a more well-established artist (an age-old route for up-and-coming artistic stars).