In an attempt to keep you updated with the best of what has fallen through our letter box, here is our slightly irregular review.
The Worst Hotel In The World
Written and Designed by KesselsKramer, Published by Booth-Clibborn Editions
Anyone who can successfully live off being the proud owner of the worst hotel in the world is obviously doing something right. When Rob Penris, the owner of The Hans Brinker Hotel in Amsterdam hired KesselsKramer, he couldn’t have made a better decision. The book charts the history of the two working together and the campaigns that followed, many of which you will have seen (or heard of) before. By no means the worst book in the world and well worth a look.
We Make Magazines.
Edited by Andrew Losowsky
I don’t know enough about it to comment intelligently but publishing is in a pretty dark place. With more and more titles retiring from the shelves of our local news stands it’s a fairly depressing time, that is of course until you open the pages of We Make Magazines and gorge yourself on the sheer number of independent publishers doing something exciting, from Carl’s Cars to Varoom they’re all in here. Designed by Jeremy Leslie and illustrations from Jean Jullien there’s little to argue with, highly recommended.
A central London studio offering a hands on approach to print design, lovely stuff.
Self promotion pack
Simple and effective, this self promotion pack from London based graphic designer and art director Sam Blunden had us straight on his site to see the rest of his work. You should have a look as well.
Wait & See Catalogue
It’s not often a degree show catalogue humbles you and your efforts when you were in their shoes. A highly accomplished piece of design, this catalogue for the Lincoln School of Art and Design is an impressible two colour job. Designed by Simon Mortimer, David Marsh and Tom Lovell.
Your Golden Opportunity Is Coming Very Soon
It’s hard to go wrong with a nicely bound hardback book containing 37 black and white photographs. It’s also hard to describe how beautifully RJ Shaughnessy has managed to make scratches, scrapes and bumps on roadside objects look. www.rjshaughnessy.com
Journal of Science
Journal of Science boasts a bit of a challengingly academic title, but one that urges the reader to explore further. In it Martin Fengels exhibits a set of photographs of mysterious objects that he sees acting as everyday ‘photographic readymades’. His ideas are summed up beautifully in the final sentence of the introduction with a quote from Andre Breton “Whoever steers the ship of photography safely through the virtually incomprehensible maelstrom of pictures will seize life once more in his jaws, as if turning a film backwards.”
Millie Scarlett Davies Self Promotion
It’s that time of year when we get quite a lot of post from graduating students and we love looking through it all, especially when it’s as well considered and put together as Millie’s. What’s more is that she’s not even graduating until next year which makes it that little bit more impressive. One to watch.
Definitely the first time we’ve had dead fish through the post, not sure if we want it to be the last? Simon Oxley is a designer, photographer and illustrator who has spent the last 10 years in Japan and kindly sent us a selection of photographs, illustrations and dead animals.
- The creative team behind John Grant’s post-apocalyptic world
- They have beauty, they have grace, they are Jack Mears’ ceramic dogs
- Caroline Tompkins deftly captures goggle marks, swim caps and foam floats
- Illustrator Jan Robert Duennweller's erratic style creates "visual headlines"
- Réka Neszmélyi's boundary breaking identity for Hungarian Bánkitó Cultural & Music Festival 2016
- Five things to remember as a young creative
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale