A magazine is a physical, tangible thing. You can turn it round in your hands, pass it to a friend, throw it across the room. This is so obvious that we take it for granted, but it’s worth reminding ourselves of this characteristic and the example shown left does just that.
Nice magazine was published in the early noughties and had the surface appearance of a standard magazine, being normal in size and format with a logo on the front and an advert on the back cover. The one thing you couldn’t do was flick through its pages, because it was actually a solid block of wood cut to A4.
It’s lack of content focuses our attention on it’s physicality, the sense of touch and texture that is a vital part of what a magazine is.
- The creative team behind John Grant’s post-apocalyptic world
- They have beauty, they have grace, they are Jack Mears’ ceramic dogs
- Caroline Tompkins deftly captures goggle marks, swim caps and foam floats
- Illustrator Jan Robert Duennweller's erratic style creates "visual headlines"
- Réka Neszmélyi's boundary breaking identity for Hungarian Bánkitó Cultural & Music Festival 2016
- Five things to remember as a young creative
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale