While the debate continues about what infinite-scrolling image aggregation is doing to our cultural landscape, there are still destination sites to which an extraordinary amount of people subscribe where they know they will garner rare insight and context. One such stopping off place is American Suburb X which, since 2008, has archived the “massively relevant oats, dramatically sifting present and rapidly unfolding future” in photographs, and it is quite something.
I love categories. I love that These Americans, an archiving project of American Suburb X, has the ten shots of the last prisoners to leave Alcatraz and a veritable shoebox like set of dance school awkward portraits, nineties pin-ups and polygamist family photos – all falling under the broad and unfailingly fascinating genera of things like cars and crime and race and riots. The latter is a brilliant example and celebration of photography’s power to flatten time by holding up disparately chronological events next to each other.
That we might read into a Gatsby-esque holiday in snapshots one moment and the LA Riots the next is the site’s genius, offered up with such curatorial respect is an inspiration and an education and, I hope you’ll agree, utterly invaluable. Enjoy!
- Marcie LaCerte’s obscure animation follows the pursuit of some summer love
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s