You should know by now that we’re big fans of Damien Poulain and his broad approach to design and publishing. We also love the raw photography of South African Pieter Hugo. So it should come as no surprise that we’re thrilled to discover the two men are collaborating again, on a book of Pieter’s photos with a powerful sense of the undead.
There’s A Place in Hell for Me and My Friends is a selection of portraits of Pieter and his friends all shot digitally and in colour. By a complex process of colour channel manipulation the images are transformed into these revealing monochrome portraits, that highlight the melanin in each of his subjects’ skin. Through these images Pieter hopes to highlight the errors of our racial distinction by revealing that the basic elements are the same in each of us. Rather less importantly, each of the portraits transforms each sitter into an archetypal Hollywood zombie, giving them an immediacy that’s impossible to ignore.
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- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich