You should know by now that we’re big fans of Damien Poulain and his broad approach to design and publishing. We also love the raw photography of South African Pieter Hugo. So it should come as no surprise that we’re thrilled to discover the two men are collaborating again, on a book of Pieter’s photos with a powerful sense of the undead.
There’s A Place in Hell for Me and My Friends is a selection of portraits of Pieter and his friends all shot digitally and in colour. By a complex process of colour channel manipulation the images are transformed into these revealing monochrome portraits, that highlight the melanin in each of his subjects’ skin. Through these images Pieter hopes to highlight the errors of our racial distinction by revealing that the basic elements are the same in each of us. Rather less importantly, each of the portraits transforms each sitter into an archetypal Hollywood zombie, giving them an immediacy that’s impossible to ignore.
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label