I’ll level with you here, we’re getting pretty tired of the print vs digital debate. We love the endless scroll and unbridled sharing of the internet just as much as we love the tactility and uniquely possessive nature of books. Can’t we all just get along here guys? Still, when Gestalten get in touch with news that they’re producing a volume dedicated to the very best in book design and print innovation it IS pretty tempting to tell digital where to shove it.
But we’d never stoop that low. We’d rather celebrate the arrival of this fresh new tome, Fully Booked: Ink On Paper, by telling you that it celebrates the very best of what print does well; foiling, debossing, Japanese binding, experimental print techniques, unique formats and really exceptional design. It’s reassuringly full of work by some of the finest practitioners and publishers in the world today, and as you’d expect from a work that wrestles with such weighty content, it’s beautifully designed too.
So enough of the squabbling everybody, print’s still going strong, but that doesn’t mean you have to set fire to your iPad; it’s much more exciting to live in a world in which we can celebrate books on the internet and glorify gadgets in print.
- Jules de Balincourt’s vivid paintings of public spaces play with reality
- Harry Israelson photographs a renaissance fair in sunny California
- Introducing graphic designer Moonsick Gang
- Pentagram’s Domenic Lippa designs the inaugural issue of YES & NO Magazine
- “Non-league football is our punk rock” – Alex Brown’s work for Eastbourne Town FC
- Artist Esther Watson reimagines the flying saucers her dad created as a child
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- Photographer Sophie Mayanne’s new personal project celebrates imperfection (NSFW)
- Jon Burgerman on his utterly brilliant Instagram experiments
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- The daily grind: Louis Quail’s photographs of fascinatingly mundane offices