It has been claimed that F. Scott Fitzgerald’s major contribution to literature was that by dint of The Great Gatsby nobody else could ever write a good party scene. While that is obviously a reductive theory, it’s certainly true that Gatsby’s sparkling soirees on his blue lawn stick long in the memory after reading his most iconic work, decadent, delicious and intoxicating in both senses of the word. With this in mind, it seems apt that Baz Luhrmann is taking on the tale – he proved in Romeo + Juliet and Moulin Rouge that he does surreally-tinged glitz and glamour better than anyone. And he also showed with his much-heralded Shakespeare that he isn’t afraid to take on big, popular stories that people are hugely emotionally invested in. He’ll need that confidence for Gatsby, even with a cast including Leonardo di Caprio, Carey Mulligan, Tobey Macguire and Bollywood legend Amitabh Bachchan.
But even with all those caveats this trailer looks very promising. It’s clearly going to be big, bold and beautiful. It better not be a letdown, or else Baz may be back to doing weird things like this.
- Cheeky, irreverent and vivid illustrations by Thomas Hedger
- Brilliant branding and a cracking It’s Nice That collaboration: introducing Unmade
- Director collective Canada creates raunchy, psychedelic video for Tame Impala (NSFW)
- Stylish designs that aim to make online gift-buying as fun as "walking around a concept store"
- Alex Sheridan’s hilarious shots of comedian David O’Doherty in sports memorabilia
- Cult magazine Nova and its nods to “eroticism and extortion” photographed in a suitably 70s setting
- Anthony Burrill tells us about his numerous Etsy WORK HARD rip-offs
- “I wouldn’t recommend trying to make it as an illustrator to anyone”: straight-talking McBess
- Jonathan Barnbrook talks us through designing David Bowie's new album artwork
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Making branding with a purpose: what can we learn from the Bauhaus?