In the summer of 2014 Ike Edeani spent four weeks travelling between Kenya, Uganda and Tanzania documenting the work of Mama Hope, a non-profit global development organisation. While there, he kept a photo-diary of the people and places he was meeting and experiencing which he has now compiled as Karibu Tena – meaning ‘Welcome Back’ in Swahili, a site for both his photographs and diary records of the trip.
Ike’s trip saw him working alongside farmhands fishing for tilapia, being overfed in rural villages and travelling among vast swathes of people en route to safari in Patagonia jackets. His photographs depict these moments in between, of his life and those around him. They show the character of a place without a sense of being either too withdrawn or interfering.
- The Ulm Model: a school and its pursuit of a critical design practice
- New One in New York: Simón Sepúlveda's six month design diary
- Eloïse Rossetti’s narrative and research-driven graphic design
- Illustrator Cécile Dormeau captures the humorous nuances of adult life
- Photographer Joshua Gordon's “loose diary” of work (NSFW)
- Four projects from Kickstarter's Make100 initiative which caught our eye
- Wolff Olins and zigbee launch the “first open-source brand for the Internet of Things”
- Graphic Design Festival Paris reveals 19 sport-inspired posters by Hort, Julia, Spassky Fischer and more
- FKA twigs teams up with 17 year old photographer David Uzochukwu for new Nike campaign
- Too Fast To Think: why switching off unlocks creativity
- Brian Finke captures the glitz and glamour of the Ms. Senior America beauty pageant