Lizzy Stewart last featured on the website all the way back in 2009 as one of our graduate selections of that year. Back then we were bowled over by her mysterious illustrations that enmeshed tales of Eastern European folklore within those beautiful, dreamlike drawings of hers.
Four years on and we still love her work, especially her ability to lead us into people’s lives through their bizarre collection of objects from old tins to miniature houses to figurines of men brandishing swords.
Confessing that she is inspired by things like folk music, buildings, bears, Johnathon Safran Foer, the sea and anything sad, it is not surprising that her work is at times a wonderfully peculiar haze of the everyday mixed with the curious and a hint of nostalgia just to move us that little bit more. This combination is exemplified the book cover she illustrated for Annie Proulx’s award-winning novel The Shipping News. But it was her most recent feature in WRAP magazine was what reminded us of her brilliance, showing us just how great our mundane everyday practices can be.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich