• Top

    Luc Fuller’s Studio

Art

Introducing...Luc Fuller. Mustard? Check. Smoke machine? Check

Posted by Liv Siddall,

We came across Luc’s work a few weeks ago and didn’t know what to make of it, apart from knowing that we were certainly intrigued. Luc’s canvases tend to be pretty abstract, using the space around them to influence how you perceive the visuals actually on them. Experimenting with smoke machines, cameras and condiments, Luc’s methods are refreshingly unforced, and through a series of experiments he is building up an impressive collection of paintings that, as a series, are pretty beautiful. Luc was kind enough to answer a few questions about what he does.

Where do you work?

Most of my work is made in my studio here in Portland, Oregon. Recently, as I have been incorporating inkjet prints and photographs, a fair amount of time is spent on the computer editing or in the print lab trying to dial in the right colors and everything.

How does your working day start?

I start everyday with a cup of coffee, two pieces of toast, and two eggs. I make coffee for Stumptown, so if I have to open the café, I’m up at 4:30am, and get off at 1pm. I then try to have some lunch, take a power nap, and make it to the studio by 3pm. I’m so busy right now – working full time, finishing my thesis at the Pacific Northwest College of Art, and trying to have somewhat of a social life, that I can’t really spend more than a few hours at a time in the studio. Being busy is good for me though. The tight schedule helps me to be focused and productive when I am in the studio, and as a result I think my work is improving.

How do you work and how has that changed?

My studio practice has changed quite a bit in the last year or so. I used to make really labor intensive representational paintings from photographs. The paintings took weeks to finish. After a while I lost interest in that way of working. My entire approach to painting has changed – I now use painting as tool, or tactic for getting at a larger strategic way of dealing with images.

Where would we find you when you’re not at work?

I spend a lot of time thinking about things, reading, and looking at the work of other artists. I can never really turn it off. Even when I’m doing something that has nothing to do with art, it’s always in the back of my mind. I really enjoy simple pleasures like food and people. I also like to travel. I’m constantly trying to get creative and come up with new trips. My girlfriend and I are planning a trip to Scandinavia in the early summer. I’m trying to run more too, but most the time it’s easier to drink wine and have a nice dinner with friends.

Would you intern for yourself?

At this point I’m not sure an intern would be of much help to me. I did just watch that Gerhard Richter documentary where he has all those wonderful helpers squishing paint through filters to get the perfect consistency and handfuls of people prepping all of his canvases and whatnot. I bet that’s so nice! Last Christmas I was in Indonesia and I visited the studio of Agus Suwage where he had all these assistants hanging out in his studio jamming on various instruments, drinking tea and joking around. I think if I had assistants or interns it would look something similar—as long as they would still squish paint through things when I needed it.

  • 1

    Luc Fuller

  • 2

    Luc Fuller

  • 3

    Luc Fuller

  • 4

    Luc Fuller

  • 5

    Luc Fuller

  • 6

    Luc Fuller

  • 7

    Luc Fuller

  • 8

    Luc Fuller

  • 9

    Luc Fuller

Ls-300

Posted by Liv Siddall

Liv joined It’s Nice That as an intern in 2011 and is now one of our editors. She oversees itsnicethat.com and has a particular interest in illustration, photography and music videos. She is also a regular guest and sometime host on our Studio Audience podcast.

Most Recent: Art View Archive

  1. List

    The bright, woozy haze of Wojciech Fangor’s psychedelic paintings is mesmerising. It’s even more so having learnt that the Polish artist, who worked during the 1960s, created these Op art masterpieces entirely in isolation, working in Eastern Europe having not seen the similar works being created in America and Europe by the likes of Bridget Riley and Victor Vasarely. As such, while the images feel familiar; there’s also something exotic about them, pulsing with light created using intensely coloured oil paint applied in thin layers. A new show named Colour-Light-Space opens next month at London’s 3 Grafton Street gallery, and will display a number of works by Wojciech from the 1960s and 1970s that demonstrate his mastery of all three words in the title. It’s fascinating to think of the artist working on these beautiful optical illusions and explorations of the power of painting well before similar works were created elsewhere in the world, and it’s great to have his work celebrated in the way it deserves.

  2. List

    Mark Lazenby is the go-to guy for collage that just works. We last featured the artist two years ago and since then his portfolio of pieced together artworks has exploded with even more impressive works and a real exploration of materials and collage techniques.

  3. List

    There’s not a pie in the cultural world that James Franco isn’t ready and willing to stick a finger into, and to prove it the actor, director, poet and musician has just announced a new exhibition of his artworks, entitled Fat Squirrel, which is to be held at London’s Siegfried Contemporary gallery. The show is an undeniably eclectic collection, including a number of self portraits of the artist in the guise of various famous historical figures, a deer orgy entitled Triple Team, and some bright painterly collages, not to mention the eponymous overweight rodents which are undoubtedly our favourites.

  4. List

    I’m known for my sweet tooth and ability to consume an obscene amount of cakes, sweets and biscuits in one sitting, so it’ll come as no surprise that I was instantly drawn to Will Cotton’s sugary scenes of candy-laced lands.

  5. List

    Time and again Amy Woodside gets in touch to let us know about new projects she’s cooked up and time and again we’re powerless to resist them. The New York-based artist is focussed to a fault on her fine art practice where iconic letterforms emerge from meticulously registered screen printing and frantic flourishes of spray paint. Where first she caught our eye with multicoloured wordplay, the constant reduction and refinement of her process has resulted in a new series’ of totemic words like ‘Hero’, ‘Cash’, ‘Hoax’ and ‘Like’, pre-loaded with cultural context and double meaning, writ large on the canvas. What’s the meaning behind them? The interpretation is up to you, but Amy always seems to be critiquing pop culture with its own visual vernacular and playing fast and loose with our ambiguous use of language.

  6. List

    The Dutch/Brazilian artist Rafaël Rozendaal is best known for his digital artworks that often take the form of webpages but as he told us at our 2013 creative symposium Here he is increasingly interested in exploring his fascination with light and colour in real-world scenarios. Most recently this has taken the form of his hyper-colourful abstract lenticular paintings, which are made up of layers of different frames and so appear to move when viewed from different angles.

  7. List

    There’s a wonderful, undulating beauty to Alain Delorme’s series that initially tricks the viewer into thinking they’re seeing flocks of starlings choreographing themselves against iridescent skies. On closer inspection though, rather than capturing mass avian movements the Parisian photographer has replaced them with a myriad of plastic bags.

  8. List

    Way back in 2011 when we first posted the work of Frank Magnotta It’s Nice That was a very different beast – we’d only give you one image to check out and the rest was up to you. So when I stumbled across Frank’s work again this week it seemed essential that we show you a whole lot more. To be honest there have been few updates to his site in the past three years but the work is breathtaking, pulling together pop culture references, architectural precision and some serious Americana and combining it into stark surrealist landscapes. At times grotesque but always engaging, Frank’s graphite artworks are still some of the finest around.

  9. List

    Jean Jullien is many things. Artist. Illustrator. French. Recent emigre to New York. It’s Nice That favourite. So hot right now. He’s also the final artist to have a show at Kemistry Gallery’s current east London home before it closes its doors early next year (although as has been reported it has some excitingly ambitious plans).

  10. List

    American artist James Rieck paints models, but not in the way you might expect. In his huge colourful canvases he takes figures from adverts and recreates them four or five feet wide, capturing their clothes, their postures but not their faces.

  11. List

    These painted scenes from Paige Jiyoung Moon are so wonderfully intricate, a new detail pops out each time you see them. Capturing domestic scenes like people drinking coffee, friends watching a film or a family eating lunch together, it’s the mundanity of what Paige paints that makes her miniature worlds so inviting as the viewer tries to pick out some sort of irregularity.

  12. List

    It’s been a whole two years since we last posted about the marvellous work of Lynnie Zulu and we’re happy to have the illustrator’s vibrant world colouring our dull Monday once again. Her latest body of work is on show now at No Walls Gallery in Brighton and is a fantastically lively exploration of the female in all her glorious forms.

  13. List-tatiana-bruni_-the-drunkard_-costume-design-for-%e2%80%98the-bolt%e2%80%99_-1931_-courtesy-grad-and-st-petersburg-museum-of-theatre-and-music

    We’re no ballet aficionados, but we wouldn’t usually associate drunkards, typists and factory workers with the grace and poise of the discipline. However, as these beautiful gouache painting by Tatiana Bruni show, there’s much more to ballet than tutus and swan lake, with her angular figures, bold colours and sometimes grotesquely postured characters. The paintings show costume designs for Dmitri Shostakovich’s 1931 ballet The Bolt, and are going on show at London’s Gallery for Russian Arts and Design alongside a series of period photographs. The ballet itself was bold and striking in its use of real hammers, machine-inspired choreography, aerobics and acrobatics, and the costume images are equally as dynamic, inspired by “the aesthetics of agit-theatre and artist-designed propaganda posters”, according to the gallery. The sense of movement is palpable, whether in the graceful billowing dresses or the staggering legs of our brightly-coloured drunkard, working against the geometric rigidity of the style to beautiful effect.