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A black and white photo of a desk cluttered with art supplies. A detailed ink illustration of several figures lies in the centre, surrounded by pens, a ruler and a keyboard.

Introducing... The immaculate illustration of Tim McDonagh

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Date
16 July 2012

It’s come to our attention that as a race, we humans are quite a nosy bunch; we like to snoop around and find things out, whether it’s our business or not (in fact even more so if it’s not). With that in mind we’ve decided to do some snooping for you, seeking out some of the finest new creative talent worldwide and asking them some probing questions about their life, their work and their daily routines. We’ll also be having a look at the spaces in which they work, from obsessively arranged desk setups to work benches covered in sawdust. And what are we dubbing this revealing new feature? Simple: Introducing. So without further ado…

Tim McDonagh is a Brighton-based illustrator who’s only been out of art college for two years. In that short time however, he’s made quite a name for himself; his crisp line-work and immaculate draughtsmanship earning him an impressive roster of clients including Vodafone, WIRED, Bloomberg Businessweek and Creative Review. He’s also been picked up by illustration agents Handsome Frank, which surely makes the task of making a living that much simpler. He’s also a master of colour-palettes, tinting his smooth line-work with well considered and complementary tones. Lovely.

All this skill prompted us to have a catch-up with Tim and find out a little bit more about his working day, and, more importantly what his desk looks like.

An illustration of a large, ornate bird standing in a desolate, brown landscape. The bird wears a decorative collar and holds a small red figure in its beak.
Above

Introducing: Tim McDonagh

An illustration of a dark windmill silhouetted against a massive, pale moon. Swirling blue clouds and starry patches fill the sky, while the foreground is a dense thicket of tangled grass and small red ladybirds.
Above

Introducing: Tim McDonagh

Where do you work?

I work from a desk in my bedroom, in a house I share with my girlfriend in Brighton. She doesn’t mind as long as I keep the noise down.

How does your working day start?

Earl grey tea, peanut butter on toast, check my usual websites (It’s Nice That being one), music on then I just carry on drawing whatever I put down the night before.

How do you work and how has that changed?

Well most of what I do is hand drawn, so it takes a lot of time, which is something I’ve been working on. I’ve found that I can work a lot quicker now and what conditions bring out the best in me. At university you’re given so long on briefs that when you start working professionally  it can be quite a shock how short your deadlines can be.

Where would we find you when you’re not at work?

I like doing personal projects too so I spend a lot of time on those (more planning rather than doing it seems). Also I’m getting pretty good at Battlefield 3.

Would you intern for yourself?

I think I would annoy me at first, but then I’d grow to like me.

A black and white illustration of a bearded person wearing glasses, a baseball cap and a chef’s apron. They stand before a banner that reads “BBQ CHAMPIONSHIPS 2012”, with a “1st” place rosette pinned to their chest.
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Introducing: Tim McDonagh for PORT Magazine

A pencil drawing of a bearded person wearing glasses, a baseball cap and an apron. A banner behind them reads “BBQ CHAMPIONSHIPS 2012”, and a first-place rosette is pinned to their chest.
Above

Introducing: Tim McDonagh for PORT Magazine (process)

Two black and white illustrations. The first shows a person’s hand on a steering wheel, looking out over a winding road under a cloudy sky. The second shows a tent pitched in a wooded area with a small campfire sending a plume of smoke upwards.
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Introducing: Tim McDonagh for PORT Magazine

A black and white illustration of four children sitting at a table, eating a large bowl of worms. One child looks directly at the camera with a cluster of worms hanging from their chin. A chalkboard in the background reads “SPECIALS” above a list of dishes.
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Introducing: Tim McDonagh for PORT Magazine

A pen drawing in a lined notebook shows a group of people eating. They have food smeared across their faces, with a plate in the foreground labelled “MESSY FOOD”.
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Introducing: Tim McDonagh for PORT Magazine (process)

Three black and white illustrations are laid out on a flat surface. One shows a group of children eating from a large bowl, while others depict a wooded scene with a tent and a close-up of a hand.
Above

Introducing: Tim McDonagh for PORT Magazine (process)

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About the Author

James Cartwright

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James started out as an intern in 2011 and came back in summer of 2012 to work online and latterly as Print Editor, before leaving in May 2015.

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