Full credit to Jacob Escobedo: For his gig posters and record covers used by the likes of Broken Bells, The Shins, Gnarls Barkley and Vampire Weekend. For creative directing Adult Swim and for taking for photographs which have character cameos from Kanye West and David Lynch (exclusively, hanging out). And finally for his contributions to The New Yorker’s June issue, illustrations with a science fiction bent, accompanying articles by the genre behemoths like Ursula k. Le Guin, Margaret Atwood and, most extraordinarily, the final published piece by Ray Bradbury, released the day before his passing.
This sort of all-creative-corners-covered occupation is rare but not unexplainable. Jacob works with an iconic focus in his work, all attention put on a strange visual motif dripping (sometimes literally) with colour and texture and abstract, graphic expressions. The format is editorial and music-friendly, the colours and ambiguity of the work lending itself nicely to auditory translation, and the quality, too, is food for fans who take pride in their memorabilia or who don’t want the written or musical content to be spoiled by inappropriate imagery. No trouble of that here, Jacob has it down and is pretty inimitable at it.
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label