Ending with the best commercial ever.
I want to be Ed Nadalin.
Ending with the best commercial ever.
I want to be Ed Nadalin.
When an insurance company challenges you to not skip through their latest ad on YouTube, your first reaction is likely to be “try me.” But you know what? They have actually pulled something pretty remarkable together for their latest advert. Well, I say remarkable, it’s pretty low-budget, but the idea behind it is great. Knowing that the majority of people wouldn’t watch an insurance ad on YouTube unless you were holding a gun to their head, they made their advert two seconds long. Then if like me you enjoy the first two seconds, you can stay for the whole thing. Best thing about this ad is how they didn’t even green screen the family, and you can see them wigging out and twitching as that dog goes all Beethoven on their dinner. Well done The Martin Agency for keeping us on our toes.
When I think of major league sports brands the name Umbro doesn’t come to mind – sorry lads. That’s probably because they’re comparatively small, British and their logo’s not as cool as the Nike swoosh or whatever that adidas thing is (again, sorry). But Umbro’s latest ad is making me think I’ve got them all wrong; that they’re capable of trouncing the major players when it comes to their advertising budget.
Last night in Arizona Superbowl XLIX took place, a sporting event that brings with it lots of cultural collateral – a much-hyped half-time show (with Katy Perry this year), some baffled Brits pretending they know what they’re talking about and loads of Twitter users doing that “superb owl” joke. It also means a huge amount of attention lavished on the adverts, and after showing you a selection of the pre-released spots last week, we’ve updated to bring you our pick of the whole lot.
John Nolan may have the coolest job title on earth, described as he is as “a designer and creator of robots.” An animatronics expert who’s worked on a whole heap of blockbusters (from Harry Potter and Hellboy to Where The Wild Things Are and Clash Of The Titans), John was the go-to guy when Poke and directorial team The Theory wanted to do something pretty special to promote Here East, a new maker space on the site of the Olympic Park in east London.
French Canadian creative Julien Vallée first appeared back on the site in 2008 and a quick search through our archive shows that he’s popped up with pleasing regularity over the years. Julien – who joined forces with Eve Duhamel back in 2013 to form Vallée Duhamel – has a longstanding mastery of creating great-looking, playful and tactile creative solutions and is particularly skilled at lending his unerring sensibilities to all manner of brands from AOL and Hermès to a Quebecois development capital organisation.
A new ad tells the story of a chewed up pen lid, a jelly baby, a princess and a peanut who are all rather concerned about infants choking on their very beings. Created by BBH London, John Ayling and Associates and animators Si & Ad, it’s something of a departure from St John Ambulance’s usual tone.
When it comes to a company with as global a reach as Pepsi, the possibility for commissioning brilliant creative work seems almost limitless, and this suggestion is truly put to the test at New Years. To celebrate the beginning of 2015, Pepsi brought London-based art directors and filmmakers HarrimanSteel on board to recreate the process of nuclear fission on an enormous scale.
We’ve all been there – the slightest twinge and it’s straight onto Google to terrify yourself with what it all might mean in the worst case medical scenario. DDB Brussels have taken that premise as the basis for this spot for Flemish online health platform Gezondheid en Wetenschap, which aims to underline the importance of getting information from reputable sources. While the starting point may be a staple topic for observational stand up comedians, the DDB team have pushed it to the extremes and the execution makes the most of the raw material. A nice extra touch uses Google Adwords to warn people to seek proper professional help when the search for symptoms like “twitching eyelid.”
There was a time when a great video was enough. Come up with the idea, film it with the right production values, whack it up on YouTube and watch the hit counter go through the roof. But that was then, and now viewers expect more. They don’t want to just consume online content; they want to control it. There have been several innovative and exciting interactive videos where the viewer can call the shots, change things up and make decisions that affect what they’re seeing. But too often this can come across as a gimmick, a fun but ultimately futile set of bells and whistles that don’t really add anything to the experience.
The Coca Cola trucks, the red cups at Starbucks and now the John Lewis Christmas adverts; the commercialisation of Christmas is nothing new but these days the touchpoints seem more clearly defined. The latest John Lewis spot by adam&eveDDB was unveiled this morning and there’s no doubt it will massively split opinion. Some will castigate its formulaic saccharine sentimentality, while others will love its unapologetically heartwarming fluffiness. Also (SPOILER ALERT!!) some will see the Calvin &Hobbes style twist coming but I admit I really didn’t.
Ambition is an often underrated component of creative undertakings, but that’s not a charge that can be levelled at Robert Bösch’s genuinely astonishing shoot for Mammut’s 2015 campaign. Working with hundreds of specialist climbers, Robert took this extraordinary series of images to mark the 150th anniversary of the first ascent of the Matterhorn ridge by Edward Whymper. These pictures have been doing the rounds for a few weeks now but if you haven’t come across them yet then let yourself be dazzled by their brilliance and the organisational feats that brought them into being.
IKEA are known for using their stores to promote their goods (I’m referring of course to the highly successful ad where they filled one of their shops with cats and filmed it) and today they’re back with a new spot to celebrate Hallowe’en. This time they’ve taken the famous scene from The Shining where Danny rolls around on his trike and inserted that same ominous fear into their own store. I swear anyone that puts a Rail Cam anywhere and follows a kid on a small tricycle around for a while is going to give everyone the heebie-jeebies, and this is no exception. The ending’s a bit weird, but at least you’ll be able to sleep after watching it, which is more than I can say for the original.
Forget what you think you know about surfing; the “gnarly dudes” on the hunt for “tubular waves” (I’m basing most of this language on Sean Penn’s character in Fast Times At Ridgemont High, but you catch my drift). Finisterre’s latest surf film is more in line with Jonathan Glazer’s legendary Guinness ad than any piece of footage you’re likely to see for O’Neill or Billabong. For one thing it’s not set in an exotic location – there are no bikini-clad babes – as they’ve traded warmer waters for the icy depths off the coasts of northern Scotland and Ireland.