The inexorable rise and rise of Kickstarter was one of the defining creative stories of last year and if any of you still needed convincing as to the crowdfunding behemoth’s significance, this look back on 2012 should drive the point home. The numbers are staggering in themselves – 2.2 million people from 177 different countries pledging $319 million to help realise 18,100 projects – and Kickstarter is rightly proud of their increasing reach. But perhaps more interesting is the amazing away of projects which have come to fruition in this way – from films and computer games to a municipal font, a banana piano and a pizza museum. And then there’s the cultural milestones, such as the fact that 10 per cent of the films at Sundance started life as Kickstarter gleams in their creators’ eyes.
The purity of the platform and its commitment to increasing the amount of creativity in the world is admirable, and their review of 2012 is a fine looking thing too. Well worth a few minutes of your day.
- TFI the weekend! Here's the Best of the Web, as deemed by It's Nice That
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll’s bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson’s Morris Dancing-heavy first music video in six years
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations