The inexorable rise and rise of Kickstarter was one of the defining creative stories of last year and if any of you still needed convincing as to the crowdfunding behemoth’s significance, this look back on 2012 should drive the point home. The numbers are staggering in themselves – 2.2 million people from 177 different countries pledging $319 million to help realise 18,100 projects – and Kickstarter is rightly proud of their increasing reach. But perhaps more interesting is the amazing away of projects which have come to fruition in this way – from films and computer games to a municipal font, a banana piano and a pizza museum. And then there’s the cultural milestones, such as the fact that 10 per cent of the films at Sundance started life as Kickstarter gleams in their creators’ eyes.
The purity of the platform and its commitment to increasing the amount of creativity in the world is admirable, and their review of 2012 is a fine looking thing too. Well worth a few minutes of your day.
- The sun is out, and Best of the Web is here to offer some shade
- Jonathan Castro’s vibrant designs are a realisation of his research and exploration
- Friday Mixtape: top picks from ten years of Field Day
- A retrospective look at Latif Al Ani’s photographs of Iraq’s “golden age”
- Olimpia Zagnoli illustrates How to Eat Spaghetti Like a Lady
- Cost-effective, beautiful shit: an interview with the Deadbeat Club
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Inside Susan Kare’s sketchbooks are the makings of Mac’s graphic interfaces
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris
- Stefan Sagmeister speaks to It's Nice That about The Beauty Project
- Seattle-based illustrator Kelly Bjork depicts languid ladies and neat interiors