“Kodachrome! They give us those nice bright colors, they give us the greens of summers, makes you think all the world’s a sunny day” sang Paul Simon in 1973. These incredible Kodachrome transparencies shot for the Office of War Information date from a few decades earlier. Taken on the home front in the thick of the Second World War, they’ve been adjusted by the Shorpy webmaster from originals held in the Library of Congress to give us those nice bright colours Paul Simon loved.
Many feature women taking on military and manufacturing roles for the first time – cleaning a giant H-class locomotive, riveting an A-20 bomber, making gasoline trailer tanks and correcting oversights in the camouflaging of a model defence plant. They’re fascinating snapshots made even more intriguing by that eerily crisp colour and contrast.
- Brian Griffin's haunting new photography book documents paths that led to the Holocaust
- Japanese designer Tadashi Ueda is back with some ambiguously playful posters
- Great design redressing scuzzy skate aesthetics for new totally rad boardsports mag
- Eric Shaw's abstract looped paintings start as digital sketches
- The Midlands folk who celebrate all-things American, shot beautifully by Tom Martin
- Matthew Brooks documents the eerie homes of mid-century Italian-Canadian immigrants
- A mind full of filthy ideas and creative brilliance: we visit Malika Favre
- The bizarre, twilight world of Berlin-based photographer Maxime Ballesteros
- Wieden + Kennedy Amsterdam and Colophon create typeface that works with the Earth's tilt
- The Anonymous Sex Journal is back, and this issue is all about wanking
- 12-year-old accidentally punches a hole $1.5 million painting
- Ely Dagher’s hypnotic and erotic animated vignettes for Model 86’s EP (NSFW)