Sometimes we genuinely find some of the best creative work for the site while hanging out in the pub – in this case by mooching about in my local last Saturday night. I ran into an old friend from university who still lives with Liam Cobb (another old friend from college) a comic book artist who’s spent the last few years working absurdly hard on his storytelling and image-making, recently producing the beginnings of a futuristic dystopian opus, drawn with the flair of Moebius and balanced with witty, understated dialogue that makes the apocalypse seem really quite drab.
In addition to this masterwork he’s also been releasing a series of graphic short stories set in the same barren wasteland. This one in particular stood out for its excellent pop-culture reference to one of the strangest ads ever made; “It’s too orangey for crows!”
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label