Photographer Lisa Kereszi’s work appears to be part of that interesting and ever-growing genre, whereby environments originally designed to entertain (theme parks, amusement arcades, and so on) are captured, often in states of decay, and reconfigured to reveal their artifice. They often evoke strange, dystopian spaces, where the attempts to control the audience’s mindset are exposed in starkly composed shots that juxtapose reality with those attempted fictions. Now, such settings have always had the ability to stir the imagination – Hitchcock’s Strangers on a Train, and, much more recently, Miyazaki’s Spirited Away, use fairground settings to great effect. Kereszi’s work likewise provokes interesting questions about “space” and “meaning”, but in the context of an ever-morphing, commercialised, consumerist society.
Originally from Pennsylvania, Kereszi studied Photography with Literature, before completing her Masters in Fine Art at Yale, where she currently teaches. Indeed, her Fun n’ Games series – often arresting, often dramatic – is filled with narrative tendencies and clashes of subject matter; the shovel in can set against the fantastical skyscrapers emerging from cloud, the plastic shark gaping from a lake – it produces a thought-provoking tension between artifice and reality.
- Activism, raving and vintage cookbooks – highlights from Nicer Tuesdays June
- Patrick Savile’s dreamy designs draw from 70s airbrush art, Roger Dean and Turing patterns
- Illustrator Nathan Cowdry depicts an unusual dialogue between two strangers in his new comic, Shiner
- Our round-up of this year’s UK grad show identities and show designs
- Nathalie du Pasquier opens first solo show in UK for almost 25 years
- Photographer Ian Kenneth Bird shares his top photobooks
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Pigalle, Ill-Studio and Nike have redesigned the Paris Duperré basketball court
- Leipzig graphic design studio Lamm & Kirch on their shared ethos
- Instagram co-founder Mike Krieger on how to stand out
- From Lemon Twigs to Laura Marling: Hollie Fernando’s painterly photography folio
- Why materials matter: Seetal Solanki on the Grenfell Tower tragedy