There’s lots of different sorts of confidence – the brash, swaggering sort, the quiet, earnest kind, the false variety employed by blaggards and the scary, steely, stare-y sort used by professional athletes and homicidal maniacs. There’s another one though, which is the confidence you see and feel when you come across someone doing something they’re really, really good at, which is definitely the case with Marcus Butt.
The London-based illustrator has a mighty impressive client list (including Creative Review, The New Statesman and Wired) but you don’t need to know he’s worked for some of the biggest names in the business to validate his talent. It’s there, right in front of you when you look at his work – in the way he uses colour, the way he understands shapes and textures and the way he is able to turn his hand to diverse briefs. No ifs, no but(ts) this guy is seriously good.
- Moving Brands gives its opinions on the new Google logo design
- Typographic club posters that show how creativity flourishes within boundaries
- Eric Petersen's surreal illustrations take their cues from video games
- Paris-based Adrien Menard's portfolio experiments with letterforms and composition
- The creative process explained via egg metaphors, thanks to artist Honza Zamojski
- Vincent Girardot’s photo diary documents an alpine tour of fish, factories and firs
- No more serifs, same bright colours: Google launches new identity
- Tokyo 2020 Olympic Games logo scrapped over plagiarism row, according to reports
- Ely Dagher’s hypnotic and erotic animated vignettes for Model 86’s EP (NSFW)
- Playfully tongue-in-cheek illustrations from Germany-based Cécile Dormeau
- The Anonymous Sex Journal is back, and this issue is all about wanking
- The slides and sleep pods of LA's Silicon Beach startup scene captured by Lauren Greenfield