This music video made me cry. Then my friend Greg watched it, and he cried as well. We don’t know how Emily Kai Bock does it, but everything she shoots seems to have this weird, emotional energy running through it – even the strip lighting in her films makes me feel giddy, romantic and lost.
In this video for Arcade Fire’s Afterlife we are plopped into the lives of a seemingly widowed family. Each family member, all male, are struggling to come to terms with the fact that their mother or spouse has gone, and are simultaneously, desperately struggling to cope with one another in her absence. Emily takes the camera on journeys into their heads and we are given exclusive, intimate access to the darkest corners of their dreams. As far as music videos go, for me this one is perfect.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich