The New Yorker is rightly famous for its witty, clever and often quite powerful front covers, but a book out next week gives a glimpse into those illustrations that didn’t make the cut. Building on the success of the blog of the same name and compiled by the magazine’s art director Francoise Mouly Blown Covers is a great insight into the creative process at one of the world’s most influential publications.
Whether rejected for being too crude (Monica Lewinsky sucking a presidential lollipop or justice shown trussed up S&M style ), too random (the Pope as Marilyn Mornoe), too controversial (the shadow of a black and white man passing each other shown as a stick-up/two American soldiers kissing in Afghanistan) they nevertheless form an alternative record of Amercian preoccupations over the years.
- Jason Shulman captures entire movies in a single image
- Rebecca Chew adds handcrafts to Esquire Singapore’s art direction
- A sublime update of work from photography duo Scheltens & Abbenes
- Brand Union discusses the merits and pitfalls of the design process behind the Tokyo 2020 Olympics logo
- Baker and Alex Simpson’s film on the legacy of modernist architect Wells Coates
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Design Bridge creates new harp icon for Guinness
- Yoshinori Mizutani captures the colourful, rain soaked commuters of Tokyo
- LA studio Laundry creates amazing warped Simpsons idents for American channel FX
- Winning design for Tokyo 2020 Olympics unveiled
- Poem Baker photographs the Jûngølā drag clowns of London’s Deptford
- Milton Glaser creates new look for Brooklyn Brewery