The New Yorker is rightly famous for its witty, clever and often quite powerful front covers, but a book out next week gives a glimpse into those illustrations that didn’t make the cut. Building on the success of the blog of the same name and compiled by the magazine’s art director Francoise Mouly Blown Covers is a great insight into the creative process at one of the world’s most influential publications.
Whether rejected for being too crude (Monica Lewinsky sucking a presidential lollipop or justice shown trussed up S&M style ), too random (the Pope as Marilyn Mornoe), too controversial (the shadow of a black and white man passing each other shown as a stick-up/two American soldiers kissing in Afghanistan) they nevertheless form an alternative record of Amercian preoccupations over the years.
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli