The New Yorker is rightly famous for its witty, clever and often quite powerful front covers, but a book out next week gives a glimpse into those illustrations that didn’t make the cut. Building on the success of the blog of the same name and compiled by the magazine’s art director Francoise Mouly Blown Covers is a great insight into the creative process at one of the world’s most influential publications.
Whether rejected for being too crude (Monica Lewinsky sucking a presidential lollipop or justice shown trussed up S&M style ), too random (the Pope as Marilyn Mornoe), too controversial (the shadow of a black and white man passing each other shown as a stick-up/two American soldiers kissing in Afghanistan) they nevertheless form an alternative record of Amercian preoccupations over the years.
- Anna Haas’ structured yet anarchic approach to graphic design
- “Made for designers, not 3D experts”: Adobe Stock demystifies 3D renders
- Tanawat Sakdawisarak’s crisp illustrations reference pop music and video games
- Photographer Jay Wolke remembers gambling spots in the US during the 80s and 90s
- Chaz Bundick talks us through the new digitally personable Company website
- Animator Frances Haszard’s gender neutral breakup story
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books