The New Yorker is rightly famous for its witty, clever and often quite powerful front covers, but a book out next week gives a glimpse into those illustrations that didn’t make the cut. Building on the success of the blog of the same name and compiled by the magazine’s art director Francoise Mouly Blown Covers is a great insight into the creative process at one of the world’s most influential publications.
Whether rejected for being too crude (Monica Lewinsky sucking a presidential lollipop or justice shown trussed up S&M style ), too random (the Pope as Marilyn Mornoe), too controversial (the shadow of a black and white man passing each other shown as a stick-up/two American soldiers kissing in Afghanistan) they nevertheless form an alternative record of Amercian preoccupations over the years.
- Photographer Maxwell Conrad Granger shows the goofy beauty of youth
- Serpentine appoints Francis Kéré to build "tree-inspired" 2017 pavilion
- Director Nick Roney on taking The Lemon Twigs to his grandparents’ house
- Designer Lennart Van den Bossche’s typographic work combines "logic and beauty"
- Meet the speakers: Carl Burgess, Oscar Hudson, Mirka Laura Severa and Olivia Ahmad
- Varied, playful and slightly odd drawings from Japanese illustrator Summer House
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio