If you’ve been to a paintball session, you’ll recognise the crazed, action-packed and normally freezing lark around in the mud that appeal to so many. As the inevitable dodging of bullets falters and your retaliation has sapped all ammunition, the place to be is behind cover, blending in with the unusual landscapes created to feed the frenzied Rambo fray.
As this pseudo war runs its course, the battlegrounds cease to be at the blow of a whistle, leaving only Traces of what was. And this is the focus of Maria Moore’s photographic series that captures the unique landscapes made up of largely obsolete objects in isolation, devoid of the thrillseeking warriors that give them purpose. All that remains with any viewer is the remnants of a scenario, the echoes of laughter and the pat-pat of air powered guns.
- Parisian upstarts Ill-Studio give L’Officiel magazine new life
- Knock knock. Who's there? It's Best of the Web!
- William Knight's socially conscious portfolio of graphic design
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Devilish charm: the illustrations of Polly Nor
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity