There’s been a disproportionate amount of really fantastic portraiture flying round the It’s Nice That studios of late. I don’t know what’s prompted the sudden burst, but the number of photographers fine-tuning their ability to capture subtle nuances of a person’s character in accordance with their posture, their setting, the kind and colour of the clothes they wear and the distinct way they gaze into the lens, is astounding.
Take Berlin-based Patrick Desbrosses, he consistently succeeds in capturing his subjects in a way which feels almost unnervingly natural; sipping on a coffee, tapping away on their phone or caught by a sudden ray of golden light. His images feel intimate without being overbearing and are sensitive in their approach, occasionally capturing characters as aptly from behind or from one side as they do from face on. There’s no equation to it, but Patrick’s work is quietly disarming, and we’re in awe of it.
- Noa Snir visualises mental disorders through her series of minimalist linocut prints
- Look up and embrace the chaos: what we learned from Nicer Tuesdays July
- Scarlett O’Flaherty’s photographs focus on social documentary and slow-journalism
- Fatima Al Qadiri is mono.kultur magazine’s latest muse
- Michael DeForge’s mysterious, ominous illustrations
- Jesús Sotés folkish work draws darker themes into his commercial illustration
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Amsterdam-based photographer Lois Cohen’s "absurd" portraits
- Applicants to UK arts and design university courses declines by over 14,000 this year
- Michael Bierut designs new brand identity for the Poetry Foundation
- Colette, the trailblazer: creatives pay tribute to the iconic Parisian store and its legacy
- The Sky Sports rebrand features bespoke type and refined logos across nine channels