There’s been a disproportionate amount of really fantastic portraiture flying round the It’s Nice That studios of late. I don’t know what’s prompted the sudden burst, but the number of photographers fine-tuning their ability to capture subtle nuances of a person’s character in accordance with their posture, their setting, the kind and colour of the clothes they wear and the distinct way they gaze into the lens, is astounding.
Take Berlin-based Patrick Desbrosses, he consistently succeeds in capturing his subjects in a way which feels almost unnervingly natural; sipping on a coffee, tapping away on their phone or caught by a sudden ray of golden light. His images feel intimate without being overbearing and are sensitive in their approach, occasionally capturing characters as aptly from behind or from one side as they do from face on. There’s no equation to it, but Patrick’s work is quietly disarming, and we’re in awe of it.
- Kyle Platts and Andy Baker's animation takes us on a kaleidoscopic trip through the park
- Casper Balslev shows ballerinas wielding AK-47s in his ad for the Royal Danish Theatre
- An unusual custom typeface and great layouts for new print mag Migrant
- Bold, minimal-leaning graphic design from hot new studio Vrints-Kolsteren
- Daniel Savage’s monochrome animation plays with geometry and space
- Waverly Labs launches an earpiece that translates languages in real time
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- Milton Glaser: we talk drawing, ethics, Shakespeare and Trump with the graphic design legend
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Strange posters and superb typography from Venetian studio Tankboys
- Should designers specialise early, or have a “portfolio career”?