There’s been a disproportionate amount of really fantastic portraiture flying round the It’s Nice That studios of late. I don’t know what’s prompted the sudden burst, but the number of photographers fine-tuning their ability to capture subtle nuances of a person’s character in accordance with their posture, their setting, the kind and colour of the clothes they wear and the distinct way they gaze into the lens, is astounding.
Take Berlin-based Patrick Desbrosses, he consistently succeeds in capturing his subjects in a way which feels almost unnervingly natural; sipping on a coffee, tapping away on their phone or caught by a sudden ray of golden light. His images feel intimate without being overbearing and are sensitive in their approach, occasionally capturing characters as aptly from behind or from one side as they do from face on. There’s no equation to it, but Patrick’s work is quietly disarming, and we’re in awe of it.
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio