Before we proceed, let it be noted that Pauline Miserez has photographed a whole colony of bats flying fast out of a fireplace towards her face (and hair). Surely that puts her in the same league as war Robert Capa who took his camera to the Normandy landings? Well, perhaps not that far, but it definitely makes her in a certain league of her own.
When she’s not photographing piles of dirty dishes to look like treacherous mountain ranges, or flowers to look like dew-laden female genitalia, Pauline is taking her camera to the world of horse racing, where she has managed to capture a dark, regal vibe that only an expert photographer could. Her projects are so strong, I just want to see more. More, Pauline! More!
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich