Every once in a while we’ll lose track of an illustrator whose work we really admire, only to have them burst through the doors of our studio like some long-lost prodigal son, armed to the teeth with new work to show us. It doesn’t happen often but when it does it sets our pulses racing and we sit face-to-face with them and their portfolios, our faces glowing with the utmost joy.
Last week Raymond Lemstra was that prodigal son, and (to mix more metaphors) he bore glorious illustrated fruits for us to enjoy. His process hasn’t changed since we last saw him – he’s still producing laboriously crafted pencil drawings tinted with soft watercolour hues – but he’s been amassing a shed-load of new work that’s brimming with his trademark charisma and energy. There’s shamanic totems of ghoulish faces, oddly-proportioned men smoking curiosity cigarettes and frantic collages of weird creatures scuffling in mid-air. Kind of like a Miyazaki scene drawn in cross-hatched graphite. Yeah, exactly, AWESOME!
- Four illustrators have their works drawn by Joto at Here 2017
- David Lewandowski’s floppy rubber bodies take over the streets of Japan
- Ella Bucknall tackles the “boy’s club” of political cartooning in her new zine, Whip
- Anna Haifisch bends the rules of comics in new floppy and oversized book, Drifter
- Illustrator Jill Senft creates fun and whimsy with her cavalcade of pink characters
- White Flag project that is tackling global division and the “growing fear of the stranger”
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design
- Instagram co-founder Mike Krieger on how to stand out
- Leipzig graphic design studio Lamm & Kirch on their shared ethos