Every once in a while we’ll lose track of an illustrator whose work we really admire, only to have them burst through the doors of our studio like some long-lost prodigal son, armed to the teeth with new work to show us. It doesn’t happen often but when it does it sets our pulses racing and we sit face-to-face with them and their portfolios, our faces glowing with the utmost joy.
Last week Raymond Lemstra was that prodigal son, and (to mix more metaphors) he bore glorious illustrated fruits for us to enjoy. His process hasn’t changed since we last saw him – he’s still producing laboriously crafted pencil drawings tinted with soft watercolour hues – but he’s been amassing a shed-load of new work that’s brimming with his trademark charisma and energy. There’s shamanic totems of ghoulish faces, oddly-proportioned men smoking curiosity cigarettes and frantic collages of weird creatures scuffling in mid-air. Kind of like a Miyazaki scene drawn in cross-hatched graphite. Yeah, exactly, AWESOME!
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio