Luxembourgian artist Simone Decker likes to make work that’s BIG, playing fast and loose with her audience’s sense of perspective, scale and in many cases, reality. She’s a master of using strange materials to create extraordinary spectacles. In previous shows she’s covered entire exhibition spaces in reflective tape – and clothed all her visitors likewise – turning them all into a vibrant white at the flash of a camera, created a glow in the dark bridge over a canal and covered an entire park with sticky tape. Her work encourages a physical level of participation from her audience, inviting them to climb over objects, try on new outfits and get stuck to trees.
In Shifting Shapes she’s taken objects informed by interior spaces and moved them outdoors for the people of Montpellier to interact with at their leisure. Two giant red and yellow objects flank the city’s river, and cascade through a town square like a couple of wandering playgrounds that everyone’s allowed to enjoy.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich