Hello and welcome to Studio Audience, the It’s Nice That podcast. This week the host is Liv Siddall and she’s joined by Maisie Skidmore and James Cartwright – The Triad. Wherever you listen to us, on the bus, the toilet or a whim, we hope you enjoy our cultural chit chat. You can listen via the SoundCloud below or subscribe via iTunes over here.
Did you know that Kim Kardashian is releasing a book containing 352 selfies? True. Rizzoli are publishing it and we don’t know what to think. Also this article on It’s Nice That about Lucy Hilmer and her annual snaps went crazy over the weekend, getting over 55,000 page views on It’s Nice That – woah! After the ever-catchy jingle we then discussed the Tate Robots and the controversial new cover for Roald Dahl classic Charlie and the Chocolate Factory by Penguin. Feel free to join in the heated debate in the comments section below!
Best things we’ve seen all week? Sure, Liv’s was this _incredible) archive of newspapers on Google, James chose a beautiful edition of The Man In The High Castle by Philip K. Dick illustrated by Cleon Peterson, and Maisie recommended this brilliant interview with Tavi Gevinson in New York Magazine. Enjoy!
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s