This week’s podcast is brought to you by fans of the less is more theory; there are only three of us dissecting some of the week’s art and design tidbits but we hope what we lack in quantity of guests we more than make up for in quality. So join us for 23 minutes of creative chit-chat; we promise you won’t regret it. I mean you might, but that’d probably be on you, yeah? You can listen using the SoundCloud embed below or why not subscribe via iTunes here. As ever you can also leave a comment using the discussion thread below.
This week we kicked off by looking at April Fools’ Day gags such as the one above from The Stack, and mentioned our very own mice-based offering. We then moved on to discuss the new Unit Editions book celebrating corporate design manuals of yesteryear, and discussed the new Snickers ad (below). Finally we touched on the launch of the London TV station London Live, which had some pretty brutal reviews.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich