The weekend is nigh on upon us and there’s just the weekly Friday traditions to navigate before we can all go streaking in the quad (or whatever you’ve got planned). Chief among these hurdles is the new episode of Studio Audience, the It’s Nice That podcast, but if it is a hurdle it’s one built of wit and insight (!) rather than clattery metal and that. So let’s do this!
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This week we kicked off talking about a new set of 119 BBC icons set to be rolled out across various areas and designed to combine and to the organisation’s heritage with multi-use clarity, then we looked at this neat bit of creative thinking by climate change activists (video above) and we purred over the new Studio Frith/Juergen Teller/Will Self food book. Finally we spoke about plans by The Observer newspaper to launch a monthly technology supplement to place it “at the heart of the conversation about technology and science in this country.”
Then we looked quickly at plans to turn 2001 hit film Amelie into a Broadway musical and the strange case of a director who sold the rights but hated doing so. We pondered the idea of giving up ownership of creative work in the modern world.
- Parterre de Rois: the Black issue features Anish Kapoor and Nina Chanel Abney
- Noah Beckwith’s experimental approach to his “stream-of-consciousness” posters
- Talya Modlin shares illustrated gems from her sketchbook
- Seattle-based illustrator Kelly Bjork depicts languid ladies and neat interiors
- The exploratory and exciting typefaces of Out of the Dark
- MullenLowe Group’s Global Creative Officer José Miguel Sokoloff on judging CSM's degree shows
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris