The weekend is nigh on upon us and there’s just the weekly Friday traditions to navigate before we can all go streaking in the quad (or whatever you’ve got planned). Chief among these hurdles is the new episode of Studio Audience, the It’s Nice That podcast, but if it is a hurdle it’s one built of wit and insight (!) rather than clattery metal and that. So let’s do this!
You can subscribe via iTunes here or listen via the SoundCloud link above.
This week we kicked off talking about a new set of 119 BBC icons set to be rolled out across various areas and designed to combine and to the organisation’s heritage with multi-use clarity, then we looked at this neat bit of creative thinking by climate change activists (video above) and we purred over the new Studio Frith/Juergen Teller/Will Self food book. Finally we spoke about plans by The Observer newspaper to launch a monthly technology supplement to place it “at the heart of the conversation about technology and science in this country.”
Then we looked quickly at plans to turn 2001 hit film Amelie into a Broadway musical and the strange case of a director who sold the rights but hated doing so. We pondered the idea of giving up ownership of creative work in the modern world.
- Reactions to the referendum and our weekly Best of the Web
- Ben Hill and Daniel Oeffinger offer helping hand on Bucks' new animated spot for Cree
- Kristen Liu-Wong’s wild fluoro illustrations of empowered women
- Thoughtful composition and colour blocking in Martin Steiner’s sleek portfolio
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Artist Kirsty Harris revisits the CND protests from a personal perspective
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- Ten of our favourite collage artists on Instagram
- Creative industries make last attempts to sway EU referendum voters
- North evolves Tate identity to be more adaptable
- Monotype unveils its redesigned Transport for London typeface, Johnston100