I tell you now that I never thought life could get more exciting than sitting around our little desks with microphones chewing the fat about the art and design world, but it totally just did! So sit back and enjoy this brief rundown of a truly lovely episode of Studio Audience where we chat about recent goings-on and do an ample amount of complaining that we weren’t invited to the Venice Biennale. Maybe next time. On we go!
Section One got off to cracking start as we chatted about the fantastically all-welcoming Wired magazine redesign, the ancient Rubens found locked in a cupboard at the University of Reading, Daft Punk’s ironic Monaco failure, and the download-binge-fest that was the release of the new series of Arrested Development on Netflix.
If, like me, your Instagram is clogged up by collared, Campari-drinking art types at Venice this week then this section is for you. Let our exploration into Jeremy Deller’s Pavilion, Ai Wei Wei’s dioramas and the growing excitement around the Palazzo Peckham fill you with enough info to make people believe you were actually there. Semi-convincing spray tan optional.
- Making branding with a purpose: what can we learn from the Bauhaus?
- Jeremy Jansen’s graphic design work bridges concept and coherency
- Michael Craig-Martin: a cool, clean and colourful riot of everyday objects
- Anatoly Grashchenko's randomly generated posters for a Moscow theatre
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Bobby Doherty’s vivid and humorous still-life photography
- Should illustrators be treated like designers?
- Why “cool” stunts creativity: one agency offers its opinion
- Fresh, vibrant poster work from South Korean designer Soojin Lee
- Grey London's thoughtful, powerful and innovative new campaign for Tate Britain
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Introducing French design studio plus mûrs and its beautiful poster designs