There’s not many people we write about on here who I can intro by announcing that I’ve seen their genitals, but wonderfully-named Australian Wade Jeffree is one such creative. The Australian designer is now based in New York city where he works at Sagmeister & Walsh (for whom he stripped down as part one of the studio’s legendary naked promo images). But let’s leave little Wade out of this and focus instead on his other talents.
What’s great about Wade’s portfolio is his versatility, and his sublime confidence dealing with whatever subject matter comes his way. The two projects we’ve chosen to demonstrate this couldn’t be more different. Shift is a booklet he worked on with John Wilson and Steven Lees and aimed “to change the perception of sustainable housing, resulting in the formation of a like-minded community.”
Far on the other side of the spectrum, Coming To America is a photographic and written documentation of the road trip from Nevada to NYC (taking in eight other states as well) which he undertook shortly after arriving in the USA.
Regardless of the projects’ obvious differences, Wade’s surefooted and interesting visual sensibilities are present in both; a good sign of a designer who knows what they want to achieve, and how they want to do it.
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s