Some artists develop a signature style which helps the internet-addled, image-weary viewer recognise their work from the earliest clicks onwards, but Mumbai’s Shilpa Gupta’s intriguing portfolio has little discernible commonality. Working in video, sculpture, photography, sound and installations, her pieces explore themes from censorship to security, desire to militarism. Her new show at Bristol’s Arnolfini combines older work like the oddly-organic 4,000 microphone Singing Cloud to Someone Else, a new project looking at authors’ anonymity. Long live eclecticism, especially when it’s done in such intelligent, visually-arresting ways.
The show runs until April 22.
- Hilarious send-up of selfie culture from Mercedes-Benz, Justin O'Shea and Jayne Min
- Mattis Dovier tracks the painful metamorphosis of man into machine in his new short
- Class A Marketing analyses the advertising techniques of drug dealers
- Yuri Suzuki's new invention lets users turn any object into a functioning musical instrument
- Snøhetta develops a “tribal language” for Høyskolen Kristiania School
- Work, build and don’t whine: historic portrayals of women in art and design
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)